Gaffer
George and Lucia are newlyweds and have also been lucky enough to find a home at a low price , very low . Maybe too low . In fact the house is haunted by two lovers who, a thousand years ago, were surprised by the girl's mother who subsequently turned them into pillars of salt . But there is a way to break the magic and free the two lovers caught in the curse and it is all in the hands of the newlyweds on their wedding night . Will they succeed ?
Gaffer
Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.
Key Grip
Piero arrives in Paris from Luino after having won a pool tournament with friends. In the train he meets the famous place Ramazzini and has so many incidents that culminated with his arrest and the confiscation by the commissioner Juvet. Released, find randomly hospitality at the madame Lenormand and know the great painter Valentine. Both women are tied up, as a wife and lover, Maurice, in prison for robbery. A day Piero wears a mistake and the coat of astrakhan, Maurice, and then...
Gaffer
Three stories set in summer Rome, three characters all played by Verdone: an awkward young man meets a Spanish tourist; another one plans a trip towards East with a suitcase full of stockings and biro pens; a hippie is visited by his father, who tries to convince him to get back home.
Gaffer
Nino, a regular working-class guy, finds that a hitman has been hired to kill him. He discovers that a wealthy woman has been kidnapped and that everyone who was involved in it is being killed off. However, Nino had nothing to do with the kidnapping and has to find out who has sent the killers and stop them before it's too late.
Gaffer
A meek book-keeper is introduced to gun shooting by a friend, and appears to be very gifted. But things go wrong when he gets involved with gangsters.
Gaffer
After many years working abroad, Guido comes back to Milan. His dream is to set up a clock-shop but Italy is much changed while he was abroad. Robbery and bombs are daily events and to go out for a walk in the evening is risky. He succeeds however in setting up his shop only to see it destroyed by gangsters. But he meets a girl who calls herself Mia and he falls for her.
Gaffer
Since her husband pronounced her frigid on her wedding night, Antonia De Angelis has been an invalid. When he disappears, she believes him dead: she leaves her sickbed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.
Gaffer
Amedeo and Ofelia, middle aged brother and sister, own jointly an old decadent, but still attractive, condominium. They want to sell it, but before they have to evict all the tenants. Of course, these don't want to leave at all. The cat (Il Gatto), mascot and beloved by all, dies and this gives the two an excuse to enter the tenants' life. Amedeo starts to court the young Wanda and Ofelia seduces the priest Don Pezzolla. In the meantime police is looking for the cat killer...
Gaffer
Rome, 1880. Gregorio Ferramonti (Anthony Quinn) has decided to close his bakery, the family business. Then he tells his sons Pippo (Gigi Proietti), Mario (Fabio Testi) and Teta that they will have to fend for themselves. But Irene (Dominique Sanda), the wife of Pippo, a beautiful, calculating and ambitious young woman, wants to take over the inheritance. Acting on intelligence, weighing every step and its consequences, she manages to convince the brothers that they must prevent at all costs that his father falls in love again to avoid the risk of losing their inheritance.
Gaffer
Based on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, the dead husband happened to be a member of the Italian nobility, and the trial starts to turn into more of a prosecution of the defendant's socialist politics and the activities of his father, a well known liberal social reformer, than the actual crime itself.