Mert Berkay Sünear

Bekir makes a living by selling sacrificial sheep in his makeshift hut stuck among the plazas in Istanbul. One of the sheep that he has sold disappears. He has only two days to find the sheep or return the money.

Ahmet, who confuses an Edgar Degas painting that his father brought home for a woman named Fahriye, who is constantly talked about in the house; interprets the unrest at home through the painting, and the painting becomes a symbol of forbidden facts for Ahmet.