Leah Hennessey

Leah Hennessey

プロフィール写真

Leah Hennessey

参加作品

John Early: Now More Than Ever
Director
In his first HBO comedy special, John Early brings his unique blend of cutting commentary, pop star swagger, and all-around loveable hilarity to Roulette Intermedium in Brooklyn, New York. In the style of a gritty 70s rockumentary, Early performs stand-up and explosive song covers from Britney to Neil Young, intercut with Spinal Tap-esque backstage sketches.
Byron & Shelley: Illuminati Detectives
Director
Illuminati Detectives re-imagines the secret lives of the Romantic poets Percy Shelley and Lord Byron as sex and drug addled members of the Illuminati sent around Europe to debunk mystical crimes.
The Sarah Vaccine
Punk Rock Singer
The Sarah Vaccine is a technicolor COVID nightmare from the deranged mind of Sarah Squirm. Your government has failed you...but SARAH never will! CW: excessive gore, poop, vomit, blood
The Sarah Vaccine
Theme Song Performance
The Sarah Vaccine is a technicolor COVID nightmare from the deranged mind of Sarah Squirm. Your government has failed you...but SARAH never will! CW: excessive gore, poop, vomit, blood
A New Face in Hell
Director
Welcome to hell. The late cultural theorist Mark Fisher, known to some as k-punk from his early blogging days, is giving a lecture on the “gentrification of contrapasso,” the Dantean term for a punishment resembling the sin itself. What could this flashy phrase possibly mean? Fisher is interested in those doomed to repetition until they realize their wrongdoing. See: Groundhog Day, Russian Doll. He hasn’t watched that show, but he doesn’t like what it’s doing to hell on Earth. What he does like is punk band The Fall, particularly their inimitably antisocial frontman Mark E. Smith. He drones on and on about Smith’s antiborgeious, radical inscrutability. Then, a certain kind of heaven. Smith appears before him. He got to heaven and he hated it. Soon he’ll learn to regret his reactionary choice, doomed to spend his afterlife as part of Fisher’s repeating his self-deluded sin.
A New Face in Hell
Mark Fisher
Welcome to hell. The late cultural theorist Mark Fisher, known to some as k-punk from his early blogging days, is giving a lecture on the “gentrification of contrapasso,” the Dantean term for a punishment resembling the sin itself. What could this flashy phrase possibly mean? Fisher is interested in those doomed to repetition until they realize their wrongdoing. See: Groundhog Day, Russian Doll. He hasn’t watched that show, but he doesn’t like what it’s doing to hell on Earth. What he does like is punk band The Fall, particularly their inimitably antisocial frontman Mark E. Smith. He drones on and on about Smith’s antiborgeious, radical inscrutability. Then, a certain kind of heaven. Smith appears before him. He got to heaven and he hated it. Soon he’ll learn to regret his reactionary choice, doomed to spend his afterlife as part of Fisher’s repeating his self-deluded sin.
Teenage
Brenda Dean Paul
Teenagers did not exist before the 20th century. Not until the early 1950s did the term gain widespread recognition, but "Teenage" offers compelling evidence that teenagers had a tumultuous effect on the previous half-decade.