Christopher Thompson

Christopher Thompson

出生 : 1990-01-26, Evansville, Indiana, USA

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Christopher Thompson (1990) is a contemporary American artist and filmmaker whose work examines capital, desire, and the seemingly supernatural forces that govern its acceleration. His films and video works have been featured in exhibitions and film festivals worldwide, including Prismatic Ground, Oak Cliff Film Festival, the 5th Odessa Biennale at the Odessa Museum of Contemporary Art, Endless Editions Biennale in NYC, “Late capitalism, it's like, almost over” at The Luminary in St. Louis, the 6th Bogotá Experimental Film Festival. He holds a B.A. from the University of Southern Indiana and an M.F.A. from Washington University in St. Louis, where he studied video art and experimental electronic music. He is also the director of HATERS, an online moving image journal. Thompson lives and works in Brooklyn, NY.

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Christopher Thompson

参加作品

Deep Impact
Director
“Deep Impact” explores our deep fatalistic tendencies to design our own catastrophic scenarios in order to enrich our monotonous lives through our simulations of collapse.
Property is Theft lol
Writer
A group of young radicals band together armed with bongo drums and Molotov cocktails made from craft beer bottles. An act of extremism is replaced by aesthetic value. Mao's Little Red Book is no longer in print. The mediated images of teen dystopian dramas galvanize the youth into new productions.
Property is Theft lol
Director
A group of young radicals band together armed with bongo drums and Molotov cocktails made from craft beer bottles. An act of extremism is replaced by aesthetic value. Mao's Little Red Book is no longer in print. The mediated images of teen dystopian dramas galvanize the youth into new productions.
Damp Moss
Director
Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.