Dimitri Buchowetzki

In the lead-up to the First World War, a French military attaché falls in love with the wife of a prominent German in Stamboul in the Ottoman Empire

German language version of The Virtuous Sin (1930).

Marooned on a rubber plantation in the East Indies, Leslie turns to Geoffrey for the love and diversion that she does not find with her husband.

"Felipe, a sailor falls madly in love with Valencia, a Spanish dancing girl, who is sought after by Don Fernando, the governor. When Felipe deserts his ship, the Don throws him in prison, but Valencia obtains his release and shares his disgrace and exile." Moving Picture World, 8 Jan 1927, p. 144.

"Felipe, a sailor falls madly in love with Valencia, a Spanish dancing girl, who is sought after by Don Fernando, the governor. When Felipe deserts his ship, the Don throws him in prison, but Valencia obtains his release and shares his disgrace and exile." Moving Picture World, 8 Jan 1927, p. 144.

Romantic drama directed by Dimitri Buchowetzki.

An American falls for the princess of the Kingdom of Graustark, and decides to her marriage to a dastardly prince.

The Swan (1925) is a silent film produced by Famous Players-Lasky and distributed by Paramount Pictures. The film is based on Melville Baker's 1923 Broadway play adaptation, The Swan, of Ferenc Molnar's play A Hattyu Vigjatek Harom Felvonasbarn. This film was directed by Dimitri Buchowetzki, a recent Russian immigrant working for Famous Players-Lasky. Buchowetzki had directed pictures in Russia, Sweden, and Germany. The story of this film was remade in 1930 as One Romantic Night, an early talkie for Lillian Gish, and in Technicolor as a 1956 vehicle for Grace Kelly.

Lily, a poor and friendless orphan, is married to a sensual and elderly Colonel in the German army who divorces her when he finds her with a former officer sweetheart. Introduced by a girl friend to Bohemian society, Lily loses the love of the young officer and marries her former lover, a wealthy art connoisseur.

Cleo lives in Marseilles and works as a waitress in a waterfront dive. A stranger entices her into coming to Paris to take dancing lessons, but instead she is taken to a baron, who betrays her. In spite of this inauspicious start, Cleo becomes a successful and renowned actress, but her feelings about men have never recovered. She loathes them and uses them only for the money they offer her, which she then hands over to a penniless girl.

Cleo lives in Marseilles and works as a waitress in a waterfront dive. A stranger entices her into coming to Paris to take dancing lessons, but instead she is taken to a baron, who betrays her. In spite of this inauspicious start, Cleo becomes a successful and renowned actress, but her feelings about men have never recovered. She loathes them and uses them only for the money they offer her, which she then hands over to a penniless girl.

Blanche Benton is out on her morning ride with horse and carriage, when an automobile shows up and scares the horse. The driver in the car manages to intervene and takes Blanche to her home.

Blanche Benton is out on her morning ride with horse and carriage, when an automobile shows up and scares the horse. The driver in the car manages to intervene and takes Blanche to her home.

Even without the benefit of sound, the 1922 German adaptation of Othello seems more operatic than Shakespearean. This may be due to the casting of Emil Jannings, to whom restraint and subtlety were strangers. Werner Krauss, of Cabinet of Dr. Caligari fame, is on hand as the duplicitous Iago. Appearing as the unfortunate Desdemona is Lea Von Lenkeffy, better known as Lya de Putti. Produced on an elaborate scale, Othello may not be true to the letter of Shakespeare, but is undeniably a smorgasbord of visual delights.

The drama begins when handsome Johannes Riemann (as Richard de la Croix) is summoned to an asylum, to check on insane brother Alfred Abel (as Andreas de la Croix). As we see in a later flashback, the alluring Pola Negri (as Sappho) left the innocent Mr. Abel, a lowly engineer, for his well-heeled boss Albert Steinrück (as George Bertink); this helped drive Mr. Abel insane. Presently, when Mr. Riemann finds Ms. Negri, she leaves Mr. Steinruck and moves in with Riemann.

The drama begins when handsome Johannes Riemann (as Richard de la Croix) is summoned to an asylum, to check on insane brother Alfred Abel (as Andreas de la Croix). As we see in a later flashback, the alluring Pola Negri (as Sappho) left the innocent Mr. Abel, a lowly engineer, for his well-heeled boss Albert Steinrück (as George Bertink); this helped drive Mr. Abel insane. Presently, when Mr. Riemann finds Ms. Negri, she leaves Mr. Steinruck and moves in with Riemann.

At the height of Reign of Terror Maximilien Robespierre orchestrates the trial and execution of several of his fellow leading French revolutionaries including Georges Danton.

At the height of Reign of Terror Maximilien Robespierre orchestrates the trial and execution of several of his fellow leading French revolutionaries including Georges Danton.

A depiction of Jesus Christ's life centered on the treason and the trial.

A depiction of Jesus Christ's life centered on the treason and the trial.

The marquis de Granier would like his son Charles to end his current relationship for a respectable marriage. His younger brother Octave tries to help but Yvonne Lelys tricks him and he nearly leaves his family for the dancer. He even follows her to Constantinople. He falls asleep while writing to his father and dreams that he is a movie actor who, driven by poverty, sneaks into his father's home to rob him. As his father catches him, he kills him. Thankfully, it was all a dream.

A romance in the upper-classes develops as the Bolshevik revolution is at hand.