Executive Producer
Rita and Sue are two teenagers living on a run-down council estate in Bradford, who both share a job babysitting for Bob and Michelle's children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence.
Executive Producer
Composed of three shorts – Ride of the Valkyrie, The White Bus, and Red and Blue – from three of Britain’s most-celebrated directors - Lindsay Anderson, Peter Brook, and Tony Richardson. Comic legend Zero Mostel stars as an opera singer (in full costume) navigating the London transport network as he attempts to reach Covent Garden in 'Ride of the Valkyrie'. Scripted by Shelagh Delaney, 'The White Bus' blends realism, drama, and poetry as a despondent young woman travels home to the North of England. And Vanessa Redgrave stars in Tony Richardson’s romantic reverie and musical featurette 'Red and Blue'. Produced in 1967, but ultimately shelved.
Producer
An opera singer, dressed in full costume and dress, must navigate through the busy city streets to get to the theater in time for his performance. Filmed for the shelved portmanteau film 'Red, White and Zero' in 1967.
Young Socialists from Glasgow, Liverpool and Swansea march to London and discuss their economic struggles en route. Supporting them are Ken Loach, Corin Redgrave, Arnold Wesker and other leading cultural figures of the left of British politics. The march is intercut with scenes dramatising parallel injustices in the English Civil War era and earlier - featuring Frances de la Tour in queenly mode as Elizabeth I. The film's unconventional structure also features frequent extracts of the rousing pop concert, with the band Slade, which culminated the epic march.
Producer
In the hazy aftermath of World War III, the fallout from a 'nuclear misunderstanding' is producing strange mutations amongst the survivors, and the noble Lord Fortnum finds himself transforming into a bed sitting room.
Producer
Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal? What is her purpose?
Self
Follows the creation of Lindsay Anderson's The White Bus (1968), from pre-production to the shoot and in post.
Executive Producer
A despondent young woman travels home to the North of England.
Producer
A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.
Producer
A nebbish schoolteacher begs his smooth (and misogynistic) pal to teach him 'the knack' - how to score with women. Serendipitously, the men meet up with a new girl in town, as well as a friendly lunatic who can’t help but paint things white.
Executive Producer
A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.
Producer
Catholic-Irish farm girl Kate, along with her gregarious best friend Baba, moves to Dublin to pursue a more exciting life.
