Pascale Audret
出生 : 1935-10-12, Neuilly-sur-Seine, Seine [now Hauts-de-Seine], France
死亡 : 2000-07-17
略歴
Pascale Audret (12 October 1935, Neuilly-sur-Seine – 17 July 2000) was a French actress who was most active during the 1950s through the 1960s.
While she starred in over 25 films between 1955 and 1968, her success never crossed over internationally. Her career in film, television, stage and music stayed in France. One of her most high-profile films came when she starred opposite Orson Welles in the 1961 film La Fayette. The following year she starred in Give Me Ten Desperate Men, which was entered into the 12th Berlin International Film Festival.
Audret was born as Pascale Aiguionne Louise Jacqueline Marie Auffray to Henry Auffray, an industrialist, and Amyelle de Caubios d'Andiran, a musician, second cousin of the French author François Mauriac (respectively by their maternal grandfather and maternal grandmother). Her brother is singer Hugues Aufray.
Audret was married twice, first to actor Roger Coggio and later to music producer Francis Dreyfus. It was her second marriage that produced her daughter Julie Dreyfus, an actress who co-starred in Quentin Tarantino's Kill Bill & Inglourious Basterds. Audret put her career on the back burner after the birth of her daughter Julie in 1966.
Audret died in a road accident in 2000, aged 64. She was in the passenger seat of a car being driven by her companion.
Source: Article "Pascale Audret" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Mama
Anne divides her time between her children, a 16-year-old son and twins Lili and Lolotte and her work as an editor. Her life is turned upside down by the reappearance on the scene of Arthur, one of her first loves, whom she never wanted to see again. He doesn't know that he is the father of the twins but he is determined to win Anne over. The trouble is, she is surrounded by men desperate for her hand and thinks she is in love with one of them.
Anne d'Autriche
In the 17th century, under Louis XIII, the policy of Cardinal de Richelieu aimed at the definitive establishment of a monarchic power, and gave rise to a struggle against the great feudal lords, who favored a weak central power. Numerous conspiracies against the Cardinal were led by the high nobility. The one led by Henri Coiffier de Ruzé d'Effiat, marquis de Cinq-Mars, was the last and most famous of them.
Lulu
La mère de Martine
"The Pocket Lover" tells the story of Julien, a 15 year-old boy who falls in love with an older woman, later discovered to be a prostitute. Now, Julien will have to face several obstacles, which includes his parents opposition with this affair, and Julien's own perceptions about the woman's line of work, going out with wealthy guys.
Hélène Lacarène
A man in financial trouble is thinking of killing his wife to get back the money he has placed in her name.
Mme Legendre
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Yvonne
A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artefacts for his father's slimy employer to earn money to help Jane.
Florence
NY private eye Jeff Milton is investigating a case of kidnapping in Caracas.
Mathilde
Eva
Laure
Feeling complicit in a heinous act of her husband, a woman sinks into decay, then recovers and becomes a nun
Gabriella
Bonifacio is 27 years old and he is roaming about Venice. He is trying to decide whether to accept a job or not. In so doing, he recalls all his past life: his love story with Gabriella, his old friend Claudio, who had always regarded working as a worthwhile thing, the war, the partisans.
Girl in Car (uncredited)
During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.
Agnès
Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.
Adrienne de La Fayette
Jeanne
An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count's body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count's body.
Blanche de la Force
This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion.
Martine
Martine is a young woman plagued both by poverty and by uncaring, problem parents who in no way can provide the kind of nurturing that Martine needs during her adolescent years. As a result of her family situation, Martine runs away from home and gets involved with a group of teens and young adults from the wrong side of the moral tracks.
Fleur
Hortense
The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.
In North Africa, an anguished husband tests the character of the doctor he believes is responsible for his wife’s death.
Elisabeth Matheu
Elisabeth is persuaded to have killed her noisy upstairs neighbor, scientist Charles Magne. To save her, Mr. Matheu, Elisabeth's father, accuses himself while Pierrot, Elisabeth's fiancé gets rid of the body in order to save father and daughter. For his part, a gangster also believes he has killed the scientist but he gets shot down by a taxidermist, who runs for life. The girl, her daddy and her boyfriend also run away. But Magne is not dead. A bum is mistaken for him and a police inspector makes everyone believe that he is the one who shot the gangster. At the end of this crazy chain of events all the protagonists are reunited at the station house and everybody dances to express their relief.
