A rebellious young graffiti artist, who targets the homes of the wealthy elite, discovers a shocking secret that leads him on a journey endangering himself and those closest to him.
In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.
Based in a London suburb Mahmud Nasir lives with his wife, Saamiya, and two children, Rashid and Nabi. His son plans to marry Uzma, the step-daughter of Egyptian-born Arshad Al-Masri, a so-called 'Hate Cleric' from Waziristan, Pakistan. Mahmud, who is not exactly a devout Muslim, he drinks alcohol, and does not pray five times, but does agree that he will appease Arshad, without whose approval the marriage cannot take place. Shortly thereafter Mahmud, while going over his recently deceased mother's documents, will find out that he was adopted, his birth parents were Jewish, and his name is actually Solly Shimshillewitz.
What do you call an Indian woman who's funny in 20th Century Britain? A British performer? A Black comedienne? An enigma? This humorous and comedic documentary, brings the laughs and dreams of four Indian women cabaret performers while posing the questions: What is comedy and who defines it? Is it culturally specific, or can anyone enjoy the joke? Who makes it into the mainstream and why? Does comedy always have to come from a white perspective in Britain to be taken seriously? What -- ultimately, do you call a funny Indian woman?
Farah is an independent young British woman who manages to reconcile her modern lifestyle with her Pakistani heritage. As a Muslim in love with a married man, she can become his second wife - especially as his first marriage to Maryam seems to exist in name only. But with all three under one roof, Farah becomes increasingly insecure.
