Michael Juncker

In this highly symbolic political allegory, Averill is traveling through a troubled countryside amid rumors of war to visit his father. He reaches a train station in a city which is paralyzed by a transportation strike and is forced to take lodgings in a bizarre, unattractive town populated by seemingly malformed individuals. After a while, he begins to try to woo a much older woman, and symbolic images of entrapment, imprisonment and erotic enticement mark his adventures in this regard.

Despite its South-of-the-Border title, Caracas is an Austrian love triangle. Gas-station owner Gerhard Zehmann is saddled with cheating wife Regina Bill. The man would like to escape to Venezuela, but he can't unload his wife. Then he meets a woman who is the exact double of his wife (also played by Regina Bill, of course). Falling in love with this clone, the husband hatches a plan. He'll murder his wife, then leave for Venezuela with her look-alike so as not to arouse suspicion. Are foolproof plans like these ever really foolproof?

Are you happy? You don't have to answer right away. There is an island in the Mediterranean where the question concerning happiness is taken very seriously. A man comes and is drawn into a confusing game. A child an a mysterious woman play an important role in the game. He is mistaken for someone else and gradually sees the possibility of leaving his former life behind and finding happiness on the island. Is this only an illusion which should be rejected?

A man's enthusiastic penis starts talking to him, getting him into awkward situations and convincing everyone he tells that he's completely insane.

Viktor and Angelika are a straight couple. He is a professor of veterinary science and she has studied art history. Both are more interested in their hobbies and professions than in each other; also, Viktor isn't terribly interested in satisfying his wife anymore. Their upright relationship changes dramatically when Viktor gets to know Lotte, a former school friend of Angelika's. Back in school, Lotte would have done anything for Angelika.

The divorced and emancipated Margarete Johnson falls in love with her young and extremely medical bandaged nephew.

Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.

Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter Egermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns' married life, and dream sequences.