A helicopter charter turns deadly when the pilot finds that she is on a building held by terrorists. It is up to her and her husband to save the hostages.
A helicopter charter turns deadly when the pilot finds that she is on a building held by terrorists. It is up to her and her husband to save the hostages.
Set in the fast and loose ambience of 1947 in West Germany, this story is about Hans Kolp, an inventive, teenage urban con artist who takes advantage of an out-of-control black market where almost any Allied goods can be stolen and traded for a tidy profit. Hans learns to speak good English from an American soldier friend, and bored with school -- which is nothing more than a big room in the railroad station with only one teacher to mind all levels of students -- the enterprising Hans starts a gang of petty thieves. Armed with a stolen jeep, the youngsters deal successfully in stolen goods, with Hans doing a good impression of a G.I. Business is so good, in fact, that when someone arrives to encourage Hans to get into the big-time with stolen vehicles and U.S. Army uniforms, the first crisis comes up in the small gang. Members want to back away from that level of dangerous dealing, but Hans wants to go for broke -- a difficult decision that will determine the young con's future.
A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?
