Marc Fossard

The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.

Léonard Monestier owns a large fortune, alas his wife Cynthia made a bad investment in a worthless oil concession. Far from letting this get him down, Léonard decides to find a sucker to buy this concession from him. Right on cue appears Antoine Brévin, a befuddled billionaire who is very interested in Léonard's beautiful daughter Patricia and would do anything to win her hand...

Lionel Fribourg, a great composer (at least that's what he thinks) has a problem with his noisy environment: he can't complete his unfinished symphony. Of course there is a market for unfinished symphonies but, for all he knows, only one became famous. So he had better find a way to finish it. At long last, he comes across Agnès, a divorced woman who agrees to let him her quiet home. Lionel, full of hope, resumes work...

Olivier, a handsome but callow and moody young student, picks up an enthusiastic actress during a theatre rehearsal, and is introduced to her acquaintances -- a group of jaded rich kids who spend their time storming around the Riviera harassing passersby, throwing wild parties and following all the latest trends. When sexy Elke gives him the eye, he leaves the actress in the lurch and joins the gang for a decadent party aboard a yacht. However, Elke's wanton ways and Olivier's inexperience do not mesh, and in a snit, he accidentally sets the yacht afire. The gang wreaks its vengeance by luring him into a dangerous contest of bravura on a construction site.

Marching down the Italian peninsula to sack ancient Rome, Etruscan warrior Drusco instead offers to hold back his onslaught if the Romans hand over hostages, including Clelia, the sexy leader of a clan of woman warriors. But before long, intrigue and betrayal unravel the fragile peace. Directors Carlo Ludovico Bragaglia and Vittorio Cottafavi helm this vintage sword-and-sandal epic.

An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.

A man throws a revolver in the Seine and checks into a hotel run by an unhappy Turkish couple. The wife falls for the mysterious guest, and kills her husband to prevent him from the turning the man in to the police.

Joe Grant, a light-skinned African American, heads to a small Southern town to investigate the lynching death of his brother. He draws the attention of a gorgeous heiress whom he learns may have been involved in the killing.

Roger and Jeannot, two jolly good fellows, are workers in a car factory. When the summer holidays come they merrily mount their scooter and head for the French Riviera where they intend to live cheerful holidays. They finally reach their destination after going through a host of colorful misadventures on the road and are soon caught into an imbroglio. Indeed, after boarding a yacht following two sailors, the boat sails away and they are unable to disembark, at least for a while. This is only a minor problem since they are immediately hired as mechanics and cooks, to everyone's satisfaction. To crown it all, there is Graziella, the niece of the king of naphtha, whose endearing charms do not leave Roger insensitive. And the belle has a lady friend by the name of Ingrid, who happens to be as rich as she is, and who kindles Jeannot's flame. But things are not as simple as they appear.

Arlette thinks she has made a wonderful gift to her daughter Sylvie, who has just married François Morel, a young journalist. And, to tell the truth, not everybody receives a posh little bar like the Royal Montmartre as a gift. The trouble is that Monsieur Jo, the former owner of the joint is also the boss of a gang of drug traffickers. And that he has managed to persuade the pair of naive lovebirds to drop a painting to a friend on their way to their honeymoon place. Now the picture is stuffed with drugs! The honeymoon trip promises to be eventful...

One of the first filmed portraits of a jazz musician.

Short movie starring Marcel Marceau.

Robert Langlois is now married to Catherine, the former housemaid. And they would live happily ever after if the housing crisis did not force them to live together with Gabrielle and Fernand, Robert's parents. For, despite the good will on either side, tension soon arises. What else to expect when there is too little space in their Montmartre apartment for four people (then for six then eight, the couple having... two pairs of twins!) ; the continued presence there of Fernand (who loves peace and quiet) after he is driven to retirement ; the difficult beginnings of Robert as a lawyer in a room of the apartment, etc... Other troubles follow and the harried family is on the verge of implosion...

During WW2, three prisoners escape from a labor camp.

Emile is a good mechanic whose clientele is very loyal. A bit naive, he is bamboozled by a seller who manages to sell him the full trappings of the perfect fisherman. No sooner did he regret that he bought, frightened by his wife's reaction to such expenditure. But he plans to try it ...

Reported missing in 1940, Jacques Ledru comes back to Strasbourg as Martin Schmidt. He tracks down his wife Genevieve, but she's remarried and has taken the head of his shipping company. She and her husband will do anything to get rid of Jacques and keep his company.

Pietro Ponz lives a happy life in the mountains on the Swiss-Italian border with his mother Lamberta. No one but his mother knows that Pietro is a girl, a deception that Lamberta was forced into by a series of tragedies almost twenty years previously. Not long after her husband Joseph Ponz died, Lamberta also lost her fragile infant son, Pietro. Whilst mourning this double loss, she began an affair with Bolzano, a notorious smuggler. After Bolzano was killed by the customs men, Lamberta gave birth to his child, a little girl that she decided to pass off as her son Pietro, in the hope of securing an inheritance from her husband's wealthy parents. Now that Pietro is fast coming of age, his tutor and grandmother are adamant that he should be sent to a religious school. Pietro escapes from the school and joins a gang of smugglers...

A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.

A simple man gets involved in an implausible story of gangsters in the wake of the discovery of a criminal's dead body in his own bed.

1840年代のパリ・犯罪大通りを舞台に繰り広げられる恋愛絵巻……。ナチス占領下のフランスで、映画人が抑圧の鬱憤を晴らすかのごとく製作した、映画史上に残る名作。

A Lebanese Christian girl of European origin is attracted to a visiting Muslim chief and rides off with him.When her Christian fiance brings her back,she is punished for her transgression.

The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.

The history of one of France's most famous streets is retold, featuring multiple performances from Guitry himself.

Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

A hotel for women-only and catering to working girls is the setting for not being able to get a USA PCA seal-of-approval for this French-film, but New York City's 55th Playhouse played it anyway. Along the way the audience meets the girl who sneaked her lover into her no-men-allowed room and her patch soon turns blue; a young lady with a passionate intensity who chooses another young lady as the object of her affections; the blindly-misguided director of the hotel, another lady of real easy virtue who is not the one who smuggled her lover into her room; and a girl who is only there as a procurer for a slavery ring.

Raymond Bernard’s film of a script by Antoine de Saint-Exupery (The Little Prince) about a young woman who aspires to become a pilot.

Before the Battle is the English-language title of this espionage melodrama. The first half of the film takes place aboard a French cruising ship, steaming through dangerous waters during WWI. Among the passengers is heroine Jeanne (Annabella), who was once in love with first-officer D'Artelles (Robert Vidalin) but he now seems strangely preoccupied. It turns out that the ship is on a secret mission, which ultimately dooms the vessel to a Lusitania-like death. After the sinking, Captain De Corlaix (Victor Francen) faces a court-martial, and it is at this point that the film clarifies several baffling plot points. Despite its complexity, the story is fairly believable, with the exception of the grafted-on romantic subplot.

A young woman has three suitors on her father's logging ranch on the Quebec frontier.