The continuing political significance of Silverlake Life is brought into clearer focus. Another friend of Tom Joslin and Mark Massi, Elaine Mayes recorded footage of Mark’s decline after Tom’s death, which is where the original version ends. It’s fitting that Mark’s own life, death, and the loss of his lover are here given the sort of attention afforded Tom’s experiences. It reminds us that AIDS is far from over.
Director
The continuing political significance of Silverlake Life is brought into clearer focus. Another friend of Tom Joslin and Mark Massi, Elaine Mayes recorded footage of Mark’s decline after Tom’s death, which is where the original version ends. It’s fitting that Mark’s own life, death, and the loss of his lover are here given the sort of attention afforded Tom’s experiences. It reminds us that AIDS is far from over.
An extraordinary video diary about living with AIDS documenting, with guts and humor, the love and dedication of longtime companions Tom Joslin and Mark Massi, from the emotional challenge of living with a fatal illness to the frustration of maintaining daily routines,.
Prior to leaving Hampshire College in 1980, Tom was working on a 16mm film inspired by Jose Arguelles' book, The Transformative Vision: Reflections on the Nature and History of Human Expression. Shot in sync and MOS, the footage reflects Tom's interest in perception, human consciousness, and signaled his evolving interest in fusing non-fiction, experimental and dramatic genres. All the original materials for this unfinished film were stored at the LA home of Ken Levin, another Hampshire College alum who along with several other students, worked with Tom on this project, which he called the Architecture of Mountains.
