Giorgio Bassani

Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.

An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.

Jewish lovers (Rupert Everett, Stefania Sandrelli) and a homosexual doctor (Philippe Noiret) fall to prejudice and scandal in 1938 Italy.

In late 1930s Ferrara, Italy, the Finzi-Continis are a leading family: wealthy, aristocratic, and urbane; they are also Jewish. Their adult children, Micol and Alberto, gather a diverse circle of friends for tennis and parties at their villa with its lovely grounds, and try to keep the rest of the world at bay. But tensions between them all grow as anti-Semitism rises in Fascist Italy, and even the Finzi-Continis will have to confront the Holocaust.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

1943. The affair between Anna, unhappily married to wheelchair-bound Pino, and deserter Franco unfolds in foggy Ferrara, intertwining with the power struggle taking place within local Fascist ranks that culminates in a massacre of civilians, including Franco's father – Pino sees it all from his window, but will he tell anyone?

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

During the fascist era, Adriana a beautiful young model, becomes a prostitute after a love affair gone wrong. She meets Mino, a partisan who falls in love with her and wants to redeem her.

A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.

Nine episodes about life in Italy in the period just before its economic boom.

A film made up of four episodes: a jar repairer gets trapped in a vat because of his hunch; a young unmarried mother is forced to beg to buy herself a fan; Rosario Chiarchiaro appears before a law court for casting spells; the discomfort of an overtight jacket gives a wedding witness the strength to persuade the bridegroom's reluctant parents to bless his union.

Eight-year-old Roger Court is in Venice expecting to reunite with his father, British diplomat Major Court (Trevor Howard), whom he hasn't seen in three years. Roger lives with his Aunt Rose since his mother abandoned him.

Villa Borghese, Rome's biggest urban park, is the place where everyday laughs and dramas are consumed. The movie is made of six vignettes set there.

The ever-growing popularity of Gina Lollobrigida was a decided box-office asset when the Italian La Provinciale was distributed to the U.S. as The Wayward Wife. Lollobrigida acquits herself quite nicely in the tensely dramatic role of a much-put-upon small-town girl named Cemma. Seduced by a lad who turns out to be a relative, Cemma is tossed out of her home. Seeking security, she impulsively marries bookish science professor Franco Vagnuzzi (Gabriele Ferzetti). Bored by her marriage, Cemma doesn't realize the true value of her loving husband until it's almost too late. The original 118-minute run time was reduced for U.S. release.

Three gorgeous seamstresses meet on the historic steps of the Piazza de Spagna in Rome to discuss one another's love lives.