Jeanne Moutard

The encounter of a young doctor and a werewolf is the setting of unexpected results in another example of Eugène Green's taste for the fantastic.

French filmmaker Laurent Chevallier always wanted to make a documentary on an African circus, but there were no native circuses on the continent. So Chevallier decided to help found a circus in Guinea. 36 young people were chosen from the city of Conakry to participate in what would become Circus Baobab. A group of French circus artists were imported to train the participants for 2 years in acrobatics and trapeze. Then the group took their show on the road. This film is Chevallier's account of the troupe's inaugural tour in Guinea, from March 1 - April 11, 2000.

Intense love and hate bring a man and woman through personal tragedy.

A young girl's pet rabbit shows homosexual inclinations, and her parents take some very extreme measures. Meanwhile, in her own neighborhood, the girl observes similar inclinations in humans.

Born to a North African father and a French mother, 18-year-old Parisian high school senior Rémi works part-time in an Arab grocery store while studying management and commerce. He responds to a school ad seeking subjects for a film, and Marc, who placed the ad, auditions Rémi by filming an interview with him. Rémi and Marc wind up in bed, and Rémi soon has other sexual experiences – with a guy in a men's room and with a young woman who grabs him while she's dancing in the street.

Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent in Sasha's yard. The two women build an odd rapport, and tension builds as events unfold.

It's summer. Sébastien loves Sheila. Lucia loves boys. As for Frédéric, all he wants to do is work on his tan.