Through the story of a single family, Brassneck traces a history that parallels the Labour Party's advent to power in 1945 through to the property speculation of the 1960s and the disillusionment with the Labour government in the early 1970s. Like most of the early work of the writers, David Hare and Howard Brenton, committed radical (if not revolutionary) socialists throughout the 1970s, it is a satirical attack on capitalist greed and corruption, full of savage, and often disturbing, humour.
Dancer
In Granada TV’s 1974’s Starmaker, head Kink Ray Davies proved once again that he’s not like everybody else, producing a rock opera for television that tells the story of an insufferable, vain, egotistical rock star (played by Davies, naturally) who switches places with an “ordinary person” named Norman, working in Norman’s crappy job and living Norman’s crappy life to find inspiration for his next album. (Well, it’s a little more complicated than that…) Davies’ play reveled in breaking the fourth wall: cameras and microphones are visible throughout and the play’s author/star himself even ends up a member of the audience. Starmaker was a dry run for the themes of the Kinks’ 1975 album, The Kinks Present a Soap Opera.
Tanya
THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.
Kelly
Paul, the owner of a topless go-go bar on the Sunset Strip, isn't having a good day. His girlfriend, unbeknownst to him, is planning to rob his club, and his wife is having an affair with the hunky bartender.
Dancer (as Ann Chapman)
お祭りを2日後に控えたフランス西南部の海辺の街ロシュフォールに、作曲家の卵のソランジュ（フランソワーズ・ドルレアック）とダンサー志望の妹デルフィーヌ（カトリーヌ・ドヌーヴ）という双子姉妹が暮らしていた。お祭の当日、旅芸人のエチエンヌ（ジョージ・チャキリス）たちに頼まれ、彼女たちは歌と踊りを披露する。
