Chuck Workman

As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.

The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

William Pierce (Nelson Franklin) is a practical, rational man who suddenly finds himself face to face with the paranormal when he starts receiving phone calls from the dead on the cell phone his recently-deceased fiancée (Melissa Ordway) left behind.

Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.

Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.

Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.

Documentary on Jonas Mekas and the American avant-garde cinema, with several new interviews and appearances and over 100 excerpts and examples. Detailed sequences on Mekas, Stan Brakhage, Kenneth Anger, Peter Kubelka, Bob Downey, Su Friedrich, and Anthology Film Archives.

A 100 year history of the development of movie marketing, reflecting technical improvements, audience taste and cultural sensibilities.

A once-successful architect (Philip Baker Hall) has become a grumpy loner, but a young couple plead with him to come out of retirement to rebuild his crumbling old house for them.

A montage of clips from famous American films, showing the unique American spirit.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

The Story Of X takes you to the earliest days of adult films when men peddled stag reels and projectors out of the trunks of their cars, then through the movie house years to the arrival of the home video business, and now the Internet. Meet the men behind the camera, such as "King of Sexploitation" Dave Friedman and the preeminent breast man Russ Meyer. Considered pariahs at the time, they're now hailed as pioneers in the fight against censorship. The Story of X visits the 60s when women's rights, not nudity, became the issue and recounts porn's arrival in Hollywood, led by director Bernardo Bertolucci's Last Tango In Paris. In the 70s, several groundbreaking films, including Behind The Green Door featuring Marilyn Chambers and Deep Throat featuring Linda Lovelace, took the genre to a new level.

The Story Of X takes you to the earliest days of adult films when men peddled stag reels and projectors out of the trunks of their cars, then through the movie house years to the arrival of the home video business, and now the Internet. Meet the men behind the camera, such as "King of Sexploitation" Dave Friedman and the preeminent breast man Russ Meyer. Considered pariahs at the time, they're now hailed as pioneers in the fight against censorship. The Story of X visits the 60s when women's rights, not nudity, became the issue and recounts porn's arrival in Hollywood, led by director Bernardo Bertolucci's Last Tango In Paris. In the 70s, several groundbreaking films, including Behind The Green Door featuring Marilyn Chambers and Deep Throat featuring Linda Lovelace, took the genre to a new level.

Based on the first centenary of the largest exporter of films in the world, that is Hollywood, is the story told by its protagonists, actors and writers and other people who made life in this business, interspersing images of famous movies.

Commemorates the centennial of American movies with a montage of clips and music scores from the most important movies of the century.

Documentary portrait of Andy Warhol.

Documentary portrait of Andy Warhol.

Documentary portrait of Andy Warhol.

Documentary portrait of Andy Warhol.

The history of Bugs Bunny in under four minutes using clips from various cartoons.

The history of Bugs Bunny in under four minutes using clips from various cartoons.

Montage film made of short fiction and non-fiction clips, to celebrate the 100 anniversary of Kodak film manufacturing.

Montage film made of short fiction and non-fiction clips, to celebrate the 100 anniversary of Kodak film manufacturing.

This short film, released by the Writers Guild Foundation in 1987, honors the craft of screenwriting and the writers behind our favorite lines and cinematic moments. Written and directed by Academy Award winning filmmaker Chuck Workman, it was screened at film festivals and college campuses around the country to inspire writers and celebrate the importance of the written word in entertainment.

A cross-cut of nearly 100 years of American movies. We see the most precious film sequences that we all remember: From Citizen Kane to Star Wars, from Some Like It Hot to E.T. The incredible short cuts of roughly a second each push the audience into a kind of trance and take them on a journey into their individual memories of great films of the 20th century. The film won an Oscar for Best Live Action Short Film.

The film centers on Howard F. Howard, an overweight everyman. Engaged to Beverly, the woman of his dreams, Howard has one problem - an overactive fixation with The Three Stooges. Everywhere Howard goes, he sees Moe Howard, Larry Fine and Curly Howard intruding on his life. Determined to overcome his fixation, Howard and Beverly prepare for their wedding. But on his way to the ceremony, Howard descends into Stoogemania and finds himself walking into the city streets with other Stoogemaniacs. His only hope is commitment to the Stooge Hills sanitarium, under the care of a renowned psychologist, until the inmates take over the asylum on graduation day.

The film centers on Howard F. Howard, an overweight everyman. Engaged to Beverly, the woman of his dreams, Howard has one problem - an overactive fixation with The Three Stooges. Everywhere Howard goes, he sees Moe Howard, Larry Fine and Curly Howard intruding on his life. Determined to overcome his fixation, Howard and Beverly prepare for their wedding. But on his way to the ceremony, Howard descends into Stoogemania and finds himself walking into the city streets with other Stoogemaniacs. His only hope is commitment to the Stooge Hills sanitarium, under the care of a renowned psychologist, until the inmates take over the asylum on graduation day.

An adventurer gets caught up in a plot to kill Fidel Castro.

An adventurer gets caught up in a plot to kill Fidel Castro.

A prominent businessman's children become the target of a young, unemployed man, who sees them as his ticket to wealth.

A prominent businessman's children become the target of a young, unemployed man, who sees them as his ticket to wealth.

A prominent businessman's children become the target of a young, unemployed man, who sees them as his ticket to wealth.