Gina Falckenberg

Because Diva Christine believes that her husband is cheating on her, she hurtles away and dies. Only the little son prevents the widower from committing suicide.

Women Without Names (Italian:Donne senza nome) is 1950 Italian drama film directed by Géza von Radványi and starring Simone Simon, Vivi Gioi and Françoise Rosay.[1] It is set in a displaced persons camp after the Second World War. It was made at Cinecittà in Rome.

This is essentially a "Kraft durch Freude" propaganda film though the organization is never mentioned. A company's three day outing might very well be the last because bankruptcy is just around the corner. The people on the trip have all their individual problems and wishes, too. This episodic film might sound quite promising considering the basic idea but its script is determinedly optimistic and leads everything and anything to a happy end. The dramatic parts are finished in a rather implausible way, the comedic are terribly predictable. There's a badly misjudged singing scene in the bus, some bavarian shtick, the Regensburger Domspatzen are singing in Augsburg and so on...

1936 Austrian film.

The residents of the town of Ferrara are swept up in a tide of emotion and physical passion by the writings of a Renaissance author. Before long, the town is in chaos and it becomes difficult to keep track of which characters have been involved with one another. Is it any wonder the Germans didn't take their Italian allies seriously?!

Baron von Goret is an impoverished landowner, whose estate is about to go into receivership. And so, for that reason, he wishes to marry off his son Hermann with his well-off girlfriend Helga. But Hermann is in love with the farmer’s daughter Dorothea. He leaves his father’s estate with her and makes his way to Berlin to make a name for himself. He’s not successful in this and, so as not to stand in his way, Dorothea leaves him. Hermann’s aunt brings him back to his father’s estate, where, depressed over losing Dorothea, works tirelessly to clear the estate of all its debts.

Dolly Haas is employed as a (supposedly male) servant at a Hotel.

A taxi driver, (Piel), finds an odd contraption on the back seat that renders him invisible, but his friend steals the device to rob a bank. An inventive comedy.

A story about a series of confusions, in which Paul Ritter, a bank employee, is unaware that the girl he's fallen in love with is the daughter of his boss. No one bothers to tell him and he gets jealous of the boss, who seems to have a very good relationship with the girl.

Illustrates both the powerlessness of the ordinary worker as well as an intimate portrait of the joys and sorrows of a small group of people in the harbor section of Hamburg.