Hubert Sauper

Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence.

Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence.

Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence.

Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence.

As war-ravaged South Sudan claims independence from North Sudan and its brutal President, Omar al-Bashir, a tiny, homemade prop plane wings in from France. It is piloted by eagle-eyed documentarian Hubert Sauper, who is mining for stories in a land trapped in the past but careening toward an apocalyptic future.

As war-ravaged South Sudan claims independence from North Sudan and its brutal President, Omar al-Bashir, a tiny, homemade prop plane wings in from France. It is piloted by eagle-eyed documentarian Hubert Sauper, who is mining for stories in a land trapped in the past but careening toward an apocalyptic future.

As war-ravaged South Sudan claims independence from North Sudan and its brutal President, Omar al-Bashir, a tiny, homemade prop plane wings in from France. It is piloted by eagle-eyed documentarian Hubert Sauper, who is mining for stories in a land trapped in the past but careening toward an apocalyptic future.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

半世紀ほど前、タンザニアのヴィクトリア湖に何者かが外来魚ナイルパーチを放流する。その後、この肉食の巨大魚は増え続け、湖畔にはこの魚を加工して海外に輸出する一大魚産業が誕生する。セルゲイら旧ソ連からやって来るパイロットは、一度に55トンもの魚を飛行機で運び、彼らを相手にエリザたち町の女性は売春で金を稼ぐ。＜数百種の固有種のすみかで、“ダーウィンの箱庭”と呼ばれていたヴィクトリア湖に放たれた外来魚が巻き起こす悪夢を追ったドキュメンタリー。カメラはナイルパーチ景気に湧く魚輸出業者と、新しい経済が生み出した貧困の光と影を映し出す。そして、魚を運ぶためにアフリカにやってくる飛行機が積んでいるものの正体が、徐々に明らかになっていく。世界規模で行われている搾取の実態が描き出されている衝撃作だ。＞

半世紀ほど前、タンザニアのヴィクトリア湖に何者かが外来魚ナイルパーチを放流する。その後、この肉食の巨大魚は増え続け、湖畔にはこの魚を加工して海外に輸出する一大魚産業が誕生する。セルゲイら旧ソ連からやって来るパイロットは、一度に55トンもの魚を飛行機で運び、彼らを相手にエリザたち町の女性は売春で金を稼ぐ。＜数百種の固有種のすみかで、“ダーウィンの箱庭”と呼ばれていたヴィクトリア湖に放たれた外来魚が巻き起こす悪夢を追ったドキュメンタリー。カメラはナイルパーチ景気に湧く魚輸出業者と、新しい経済が生み出した貧困の光と影を映し出す。そして、魚を運ぶためにアフリカにやってくる飛行機が積んでいるものの正体が、徐々に明らかになっていく。世界規模で行われている搾取の実態が描き出されている衝撃作だ。＞

半世紀ほど前、タンザニアのヴィクトリア湖に何者かが外来魚ナイルパーチを放流する。その後、この肉食の巨大魚は増え続け、湖畔にはこの魚を加工して海外に輸出する一大魚産業が誕生する。セルゲイら旧ソ連からやって来るパイロットは、一度に55トンもの魚を飛行機で運び、彼らを相手にエリザたち町の女性は売春で金を稼ぐ。＜数百種の固有種のすみかで、“ダーウィンの箱庭”と呼ばれていたヴィクトリア湖に放たれた外来魚が巻き起こす悪夢を追ったドキュメンタリー。カメラはナイルパーチ景気に湧く魚輸出業者と、新しい経済が生み出した貧困の光と影を映し出す。そして、魚を運ぶためにアフリカにやってくる飛行機が積んでいるものの正体が、徐々に明らかになっていく。世界規模で行われている搾取の実態が描き出されている衝撃作だ。＞

半世紀ほど前、タンザニアのヴィクトリア湖に何者かが外来魚ナイルパーチを放流する。その後、この肉食の巨大魚は増え続け、湖畔にはこの魚を加工して海外に輸出する一大魚産業が誕生する。セルゲイら旧ソ連からやって来るパイロットは、一度に55トンもの魚を飛行機で運び、彼らを相手にエリザたち町の女性は売春で金を稼ぐ。＜数百種の固有種のすみかで、“ダーウィンの箱庭”と呼ばれていたヴィクトリア湖に放たれた外来魚が巻き起こす悪夢を追ったドキュメンタリー。カメラはナイルパーチ景気に湧く魚輸出業者と、新しい経済が生み出した貧困の光と影を映し出す。そして、魚を運ぶためにアフリカにやってくる飛行機が積んでいるものの正体が、徐々に明らかになっていく。世界規模で行われている搾取の実態が描き出されている衝撃作だ。＞

半世紀ほど前、タンザニアのヴィクトリア湖に何者かが外来魚ナイルパーチを放流する。その後、この肉食の巨大魚は増え続け、湖畔にはこの魚を加工して海外に輸出する一大魚産業が誕生する。セルゲイら旧ソ連からやって来るパイロットは、一度に55トンもの魚を飛行機で運び、彼らを相手にエリザたち町の女性は売春で金を稼ぐ。＜数百種の固有種のすみかで、“ダーウィンの箱庭”と呼ばれていたヴィクトリア湖に放たれた外来魚が巻き起こす悪夢を追ったドキュメンタリー。カメラはナイルパーチ景気に湧く魚輸出業者と、新しい経済が生み出した貧困の光と影を映し出す。そして、魚を運ぶためにアフリカにやってくる飛行機が積んでいるものの正体が、徐々に明らかになっていく。世界規模で行われている搾取の実態が描き出されている衝撃作だ。＞

半世紀ほど前、タンザニアのヴィクトリア湖に何者かが外来魚ナイルパーチを放流する。その後、この肉食の巨大魚は増え続け、湖畔にはこの魚を加工して海外に輸出する一大魚産業が誕生する。セルゲイら旧ソ連からやって来るパイロットは、一度に55トンもの魚を飛行機で運び、彼らを相手にエリザたち町の女性は売春で金を稼ぐ。＜数百種の固有種のすみかで、“ダーウィンの箱庭”と呼ばれていたヴィクトリア湖に放たれた外来魚が巻き起こす悪夢を追ったドキュメンタリー。カメラはナイルパーチ景気に湧く魚輸出業者と、新しい経済が生み出した貧困の光と影を映し出す。そして、魚を運ぶためにアフリカにやってくる飛行機が積んでいるものの正体が、徐々に明らかになっていく。世界規模で行われている搾取の実態が描き出されている衝撃作だ。＞

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

In Garcia Lorca's mother tongue, death is a woman: "la muerte". Daniel slips into the role of "death as a female" and speaks before a video camera on the life and death of the famous Spanish poet. Then the story begins.

In Garcia Lorca's mother tongue, death is a woman: "la muerte". Daniel slips into the role of "death as a female" and speaks before a video camera on the life and death of the famous Spanish poet. Then the story begins.

In Garcia Lorca's mother tongue, death is a woman: "la muerte". Daniel slips into the role of "death as a female" and speaks before a video camera on the life and death of the famous Spanish poet. Then the story begins.

Emil is an elderly circus director. His pleasant and all-too-frequent duty is to greet people from every village in the land. Again and again the tired old fighter refuses to stop and wonder whether it is worthwhile - though this is the question foremost in his mind.

Emil is an elderly circus director. His pleasant and all-too-frequent duty is to greet people from every village in the land. Again and again the tired old fighter refuses to stop and wonder whether it is worthwhile - though this is the question foremost in his mind.

Blasius is plagued by the memory of a car accident. He in turn plagues his aunt, until she finally tramples on his favourite toy car. Their tiny Viennese residence becomes jsut too small.

Blasius is plagued by the memory of a car accident. He in turn plagues his aunt, until she finally tramples on his favourite toy car. Their tiny Viennese residence becomes jsut too small.

Blasius is plagued by the memory of a car accident. He in turn plagues his aunt, until she finally tramples on his favourite toy car. Their tiny Viennese residence becomes jsut too small.