Ina Gogálová

When the West Coast Crew dance troupe, led by the talented and ambitious Buddy, is selected to enter the widely broadcast “Superdance” reality TV talent show, the young dancers revel in their newfound fame and dream of their lives as winners of the prestigious contest. But as the competition begins to heat up – especially from rival dance troupe Muertas – jealousy, narcissism and interpersonal conflict threaten to break the crew apart.

The principal of an elementary school calls a special parents meeting after it’s alleged that the seemingly empathetic and kindly-looking teacher Mrs. Drazděchová uses her students to manipulate their parents.

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

Slovakia, on the eve of the outbreak of World War II. The family of the young Jewish Martin Friedmann gathers to celebrate his bar mitzvah and make a solemn promise that they will all meet again a year later around the same table; but the storms of war and anti-Semitic fanaticism will lead each of them down very different paths.

Ozren is raised in Vienna by his mother Silvija, who works as a prostitute, and his aunt and uncle. The film shows the demimonde of Vienna in the early 1990ies and deals with Ozren's finding out that his mother is not a waitress (as he was initially told) and with the way he copes with it.

A boy who is helping lonely, elderly people revives their urge to live and receives in return their love and understanding, which have been denied to him by his parents.

The story of poet Aleksa Santic, visionary and romanticist, great loser in private life. The poet was born in strict patriarchal, rich trading family from Mostar, in conservative social environment, in controversial times in the end of XIX and beginning of XX century. As a young man, he falls in love with the Slavonian girl, Anka Tomlinovic, daughter of poor photographer, leaving her under pressure of his family. Later, he meets Zorka Solina, young and rich girl from Mostar who, again because of the interests of her family, leaves the poet. In his mature years, Aleksa Santic engages himself passionately in social and political life of his age. Disappointments, poverty, sickness and loneliness follow. And the certainty of early death. His older brother tells the story of poet's life, while he is dying.

"Virgina" tells a tale from the 19th century Serbian village near the Adriatic Sea. Because of the extreme patriarchal culture there is a superstition that families without male heirs are cursed. When the wife gives birth to their fourth daughter, father decides that the child will become a so-called "Virgina" and that she will live as a man.

Screening of the synonymous Milos Crnjanski's poetic novel about the tragedy of Serbian people who scattered their energy and bones from Dnepr to Lotaringia during XVII and XIX century. The great Serbian migration topic is given through the military campaign of major Vuk Isakovic (Avtandil Makharadze) at the head of Slavonian-Danube regiment, from spring of 1744. to spring of the next year. The second topic follows tragic but passionate relationship between Vuk's younger brother and his wife, which ends with her long-lasting disease and death.

An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.