Loek Dikker

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

John Hurt stars as a scandal-hit member of parliament, dispatched to the political backwaters of the European Commission in Brussels as penance for his failures. However, once there he stumbles upon a chemical weapons outrage that points to a sinister political-industrial conspiracy.

Jennifer (Alicia Silverstone) is a lovely teen who has been hired to baby-sit the kids of Harry Tucker (J.T. Walsh) and his wife, Dolly (Lee Garlington). The Tuckers go to a party and proceed to get inebriated, with Mr. Tucker fantasizing about his beautiful baby sitter. Meanwhile, Jack (Jeremy London), her boyfriend, and Mark (Nicky Katt), another guy interested in her, decide to spy on Jennifer at the Tucker house, with each young man also fixated on her.

Prinzenbad gives us a microcosm of a society dominated by male power plays, wheeling and dealing, corruption, love, and eroticism.

1931: in Ireland, a film maker hears of an aged ship's carpenter who knows the fate of the Hollandia, a Norse ship that set sail in 1905 and vanished. The old salt has canisters of film to prove his tale. We see the footage as he narrates. They sail south in June, 1905, with scores of Siberian huskies aboard, meeting no living soul, the crew ignorant of the trip's purpose, until they reach Antarctica. A mysterious Italian paces the deck; a polar bear appears, and the Italian, possessed, hunts it down. That night, the boatswain explains to the crew how an Arctic bear could be at the South Pole and why the Hollandia has come. Visitors arrive, and the Gothic tale plays out.

It's the roaring twenties in Berlin. The Tigress, a gorgeous, wild, and very independent street walker, falls for a handsome grifter. When one of her lovers gets jealous, she betrays him and has to skip town. The grifter reveals he has what it takes to move in upper class circles and suggests they flee to Carlsbad, a spa in Czechoslovakia. Does he love her or is he only using her? Is the Tigress madly in love with him or does she want to satisfy her vanity and drop him once he falls for her? The ancient cat and mouse game between a man and a woman unfolds amidst sensual seduction, the scheme of robbing a rich Texan and the jilted lover arriving from Berlin, gun drawn.

Never Sleep Again is a drama that follows three girlfriends who wander through post-wall Berlin. As they discover the eastern part of town they meet new people and learn about the places' history.

A criminal psychologist loses his arm in a car crash, and becomes one of three patients to have their missing limbs replaced by those belonging to an executed serial killer. One of them dies violently, and disturbing occurrences start happening to the surviving two.

A woman takes revenge on her cheating husband by inviting his mistresses on their anniversary party. She thanks all of them and announces she's going to divorce him.

1908: Pascali, a spy for the Sultan, sends reports to Istanbul that nobody reads. His suspicions are roused when a British archaeologist appears, who may not be quite what he seems.

Jacob Asch is hired by Gerald McMurty to find his ex-wife Laine and their son in Palm Springs. Jacob finds Laine and a teenager named Donnie who may or may not be Gerald's son. He also finds an intricate web of deceit and betrayal that begin to lead to death. He takes it upon himself to unravel the mystery and find out who is killing people and why.

In Friedliche Tage, we enter a totalitarian and inhuman society, in which daily life is a series of nightmares and the protagonists search for a utopia of freedom and love.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

A man who has been having visions of an impending danger begins an affair with a woman who may lead him to his doom.