Philippe Miller

On the occasion of the 150th anniversary of Matisse's birth and of the exhibition at the Center Pompidou which will be dedicated to him in 2020, this art documentary brings us back to life of the journeys made by Matisse that influenced his art. And particularly his last trip to Polynesia in 1930 which will bring him to the threshold of contemporary art with the invention of his gouache cut-out papers.

Florence is a school teacher devoted to her students. When she encounters young Sacha, a child with problems, she will do everything she can to help him, even to the point of neglecting her own children, her own life, and of questioning her vocation. Little by little Florence realizes that learning has no age limit.

Recently returned to her home in the Sultanate of Zinder after completing her degree abroad, a young woman suffering from the pain of a lost love finds renewal while awaiting the mystical promise of a new moon.

During the summer of the year 1610 one of the first telescopes made by Galileo ends up in the hands of Jean Kepler in Prague who at the time was the astronomer of Emperor Rudolp II. Kepler observes the night-sky as nobody has seen it before him. His observation platform becomes the meeting place of Prague's imperial court. In this entourage Kepler separates science from superstition, freedom from intolerance.

Jeanne writes during WW II for a French clandestine journal. She is engaged to resistant leader Victor Devère but has a love affair with the young resistant Marc Hétier. But is Marc really trustworthy?

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.

Etienne is crazy about ice skating and videoing his daily life with a digital camera. He records his mother, friends, and geography teacher. Initially his intention is to setup a date between his mother and his teacher, however, he starts to realize that he is infatuated with the teacher himself.

An old man in dressing gown and slippers is abandoned by his family on an area of highway while on vacation. He later finds himself in a hospital where a nurse, Gégène, calls him Mischka.

After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us.