Sidney Michaels

参加作品

Cry of the Innocent
Screenplay
An American insurance executive, who sees his wife and children die when a plane crashes into their vacation cottage on the Irish coast, uncovers a series of suspicious clues indicating that it was no accident after a pretty financial reporter who resembles his dead wife turns up.
The Night They Raided Minsky's
Screenplay
Rachel arrives in New York from her Amish community intent on becoming a dancer. Unfortunately Billy Minsky's Burlesque is hardly the place for her Dances From The Bible. But the show's comedian Raymond sees a way of wrong-footing the local do-gooders by announcing the new Paris sensation "Mme Fifi" and putting on Rachel's performance as the place is raided. All too complicated, the more so since her father is scouring the town for her and both Raymond and his straight-man Chick are falling for Rachel.
Kismet
Adaptation
The story follows one fateful day as a beggar-poet and his daughter cross paths with a wicked wazir, a wily temptress, a handsome prince, a magical curse, opulent sets and exotic adventure. Adapted from the Broadway musical.
Carousel
Adaptation
In a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the naive millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love.
Key Witness
Screenplay
An average Los Angeles citizen witnesses a gang murder when he stops to use a telephone. When he presents himself to the LAPD as the only person willing to identify the culprits, he opens himself up to a campaign of intimidation from the gang involved.