Christel Orthmann

One of the most caustic and personal essay films ever made, Werner Schroeter's account of the 1983 Manila Film Festival, presided over by Imelda Marcos, chronicles the legacy of American and Spanish imperialism as it presents a "kaleidoscope of a ravaged country."

A treatise on love and desire tainted by harsh reality of capitalism, in which submission to the laws of lust-as-commerce is played out by five prostitutes and their pimp, who pits them against one another so that they are incapable of standing up to him collectively.

Corinna witnesses how three guys chase and shoot a man in front of her lonesome house. As only witness, they force her to come with them and care for the guy's wound. But she manages to flee shortly after and takes Blondi to a doctor. He tells her his story, how he used to smuggle drugs, but one day fled with a suitcase full of money. Corinna inexplicably falls in love with him and decides to accompany him on his further flight. But the villains are close behind them.

There is a lot of sunshine on the traditional Immenhof: owner Dalli and tenant Alexander Arkens want to give the javascript soon. Even Alexander's twin daughters Billy and Bobby and grandma Arkens have the sympathetic Dalli closed in her heart. But while the witty twins enjoy country life, the Immenhof is once again in financial trouble. A loan, which is due to be repaid, is a big concern for Dalli and Alexander. While Dalli wants to ask for help at her former job, Alexander wants to come to money on his own. This is the big noise preprogrammed.

An antique bed relates passionate stories about various people who have made love on it throughout the decades of the 20th century. Said folks include a sweet young virgin, a sly prostitute who helps a jilted woman get revenge on her unfaithful husband, a German soldier fighting in World War II who's on leave for two hours, and a carefree modern couple.

A pseudo-documentary story about what happens behind dance school walls.

During a salesmen meeting, the General Manager of the company asks his staff to share erotic and funny incidents during their door-to-door sales promotions.

This is a continuation of the sex education films by Oswald Kolle. The entire Kolle family appears nude and openly discusses sex among the parents, two daughters and one son. The father recommends masturbation for children unless the act would be traumatic for the participant. Some mention of the Oedipal complex is discussed, but no details are given because individual situations may vary.