Olek Krupa

Trying to check out a recording from his debut album, a street rapper and his friend run into trouble when a major drug deal turns into a total disaster for them.

Between New York City and the far north of Norway, an American painter and a Russian émigré find each other in the Arctic circle. Together under a sun that never sets, they discover a future and family that they didn’t know they had.

A famous opera singer is held hostage in South America by a guerrilla rebel group after performing at a Japanese businessman's lavish birthday party. Unexpected bonds are forged in the standoff that ensues.

誰よりも仲間を愛し大切にしてきたドミニクの裏切りにより、彼らの結束は崩れようとしていた。だが、彼の行動には謎のサイバーテロリストが関与していることがわかる。レティやローマンらはドミニクを取り戻すため、最大の敵デッカート・ショウと手を組む。

1961年バージニア州。頭脳明晰なアフリカ系女性キャサリンはNASAで働くことになるが、NASAでも有色人種に対する差別は全体的に広く残り、労働環境は厳しいものだった。やがてキャサリンは、NASAでは白人を含むすべての女性が差別されていることに気付き始める。そして1961年5月、ケネディ大統領はアメリカ人宇宙飛行士の月面着陸を実現することを表明し、キャサリンたちに活躍する機会が与えられていく。

Bill Baker, a kind, sensitive and content man, enjoys life's simple pleasures, such as tilling his garden or playing with butterflies. His seemingly fulfilling life is disrupted by Pavornocturnus - a night terror disorder that causes Bill to commit violent acts while asleep. His disorder can only be relieved with a unique, dangerous, and mind-altering technology.

An eccentric college improv group and one magnetic movie star attempt to live life according to the rules of the improv game “yes and…”

Two brothers, on either side of the law, face off over organized crime in Brooklyn during the 1970s.

Straitlaced Princeton University admissions officer, Portia Nathan is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former college classmate, the freewheeling John Pressman. Pressman has surmised that Jeremiah, his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago.

『ブルーノ』などのお騒がせ男サシャ・バロン・コーエンが、世界一危険な独裁者を熱演する痛快爆笑ムービー。それまで欲望のままに生きてきた暴君が、ひょんなことからニューヨークに渡り、生まれて初めて庶民の世界を垣間見る様子をブラックな笑いと共に描き出す。将軍の右腕を、『ガンジー』などの名優ベン・キングズレーが好演。観る者を爆笑の渦に巻き込みつつ、時代背景を反映した痛烈な社会批判も込めた力作に脱帽する。

Precocious yet sensitive teenager James has a deep perception of the world but no idea how to live in it. Finding no help from his divorced parents nor his older memoir-writing sister, he decides to reject the beliefs adults try to push on him, starting with the college career that is looming over his last summer in New York, and embarks instead on a search for wisdom through nontraditional means...

国際情勢が緊迫する1960年代、強力なテレパシー能力を持つ青年チャールズが、金属を自在に操れるエリックとめぐり合う。ミュータントとして人類と闘うべきか共存すべきか、異なる信念を抱きながらも友情を深めたふたりは、世界各地のミュータントを仲間に迎え入れていく。しかし戦時中にエリックの母親を殺した元ナチスの科学者ショウが、ミュータント集団“ヘルファイヤークラブ”を結成。やがてショウが悪魔のごとき計画を実行に移したとき、チャールズとエリックはその野望の阻止に挑むが、過酷な運命は彼らの絆を引き裂き、人類との“共存”か“支配”か、という正反対の道へと導いていくのだった……。

ある日、CIAの元にロシアからの亡命者オルロフが出頭し女性諜報員のイヴリン・ソルトが尋問する。彼は、ソ連崩壊後もクレムリンの意向とは別にアメリカに潜入しているスパイたちは一斉に蜂起する時を待っており、その中の一人が近く行われるアメリカ副大統領の葬儀に出席するロシア大統領を暗殺する計画があると語った。更にそのスパイの名は「イヴリン・ソルト」であると告げる。

Whatever Works explores the relationship between a crotchety misanthrope, Boris and a naïve, impressionable young runaway from the south, Melody. When Melody's uptight parents arrive in New York to rescue her, they are quickly drawn into wildly unexpected romantic entanglements. Everyone discovers that finding love is just a combination of lucky chance and appreciating the value of "whatever works."

フィットネス・クラブで働くチャドが、CIAの機密が書き込まれたCD-Rを拾う。チャドはそれを利用し一攫千金を狙うが、落とし主とその妻らを巻き込む不運の連鎖によって、国家を揺るがす騒動にまで発展する。コーエン兄弟によるクライム・コメディ。

The story of what happened to Neal Cassady after Jack Kerouac's "On The Road" came out. Deals primarily with Neal's relationship to his fictional alter-ego, Dean Moriarty.

Stuck together for the last month of school, a group of boarding school students are faced with either dealing with the reality of the damage done, or drifting off into isolated fantasies and denials.

チャーリーが率いる犯罪のプロチームは、たくさんの金塊を盗み出すのに成功。だがその直後、仲間のスティーヴが裏切り、金塊を独り占めした上、チャーリーが父のように慕う金庫破りの達人ジョンの命までも奪ってしまう。1年後。チャーリーたちはスティーヴから金塊を取り戻すため、小回りの利くミニ・クーパーを使った大胆な作戦を計画。ジョンの娘ステラを新たな仲間に加え、手始めに美貌を持つステラをスティーヴに接近させる。

舞台は、1992年に起きた旧ユーゴスラビアの民族紛争が一応解決し、和平が結ばれているボスニア。米海軍大尉クリス・バーネットは、平和を維持するための軍務に意味を見出せず、レイガート司令官と衝突する。そして、本来は休暇であるクリスマスに、レイガート司令官はボスニア上空からの撮影任務を命じる。相棒のスタックハウスと共に空母カール・ビンソンから発艦したF/A-18Fは、ボスニア上空を飛行中、飛行ルートを外れた地帯にレーダー反応を探知。そちらへ向かうと地上に兵器が映り、カメラでの録画に成功する。しかし突然、地対空ミサイル(SAM)による攻撃をうけて撃ち落とされる。

大国アメリカが恐怖に震えたキューバ危機の13日間を描く問題作。J．F．ケネディ大統領時代の、世界大戦への危機回避の裏側で起きた男たちの決断を描くスリリングなドラマ。

Vic is a struggling auto mechanic with a safe-cracking past and a lot of debt. His girlfriend runs a bar and offers to loan him the money she's saved for remodeling, but Vic is reluctant to take it. When a long-lost cousin from Ireland shows up on his doorstep, the two team up for one last heist.

When housewife Frances Hannon is abducted and buried alive, detective Madeline Foster is brought in. With only 24 hours before Frances' oxygen runs out, Madeline pursues the trail laid by a killer calling himself Harry Houdini. After capturing him, Madeline brings Harry back to the police station, but is unable to get him to confess where Frances is buried. As time runs down, Harry gets inside the head of unstable, alcoholic Madeline.

仲間の裏切りで逮捕される直前、ダイヤモンド“ブルー・ストリーク”を建設中のビルに隠した宝石泥棒マイルズ。やがて刑務所から出所したマイルズはダイヤを回収しに向かうが、そこは何とロス市警になっていた。宝石を手に入れるため、マイルズは刑事を装って警察署に潜入するが、彼の経験と知識は次々と事件を解決していってしまう。そしてついには麻薬組織を相手にした大捕物に借り出されることに…。

In a surreal motel in Los Angeles, the life of several sordid characters intertwine.

After her mother's death, mediocre chef Amanda Shelton is having trouble attracting customers to her family's restaurant. While shopping for ingredients, she is given a magical crab by mysterious Gene O'Reilly. Afterward, Amanda's dishes suddenly become excellent, inducing strong emotional reactions in everyone who eats them. Tom Bartlett, who is preparing to open his own eatery, tries her cooking and falls in love.

A lovely school teacher finds herself the victim of a scam artist - a garage owner who delights in ripping off his customers. Soon, she has two eager young men, her lizard-loving neighbour and his friend, on her side to help her exact revenge on the sleazy mechanic, who is the leader of a stolen car ring.

A scientist finds his newest invention; a microchip that infuses inanimate objects with human qualities co-opted by the company he works for, which wants to capitalize on his findings. Knowing his creation can be used for evil purposes, he stashes it away, but his 11-year-old son, Charlie (Jared Robbins), finds it and implants it into a vacuum cleaner he calls Stardust. Will he manage to elude his dad's greedy bosses?

国際的な犯罪グループが盗んだマイクロチップが移送中に空港で間違えられ、シカゴの高級住宅街に住む老婦人の手に渡る。それを知った彼らはチップを取り返すべく、さっそく住宅街の捜索を開始する。日中はほぼ無人と化す住宅街だったが、そんな彼らの行動を、病気で学校を休んでいたアレックス少年が発見。警察に通報したがまったく相手にされず、アレックスは自分独りで悪者たちに立ち向かう決心をする。

叔父からヤバいブツを預かったレドモンド。そのブツのために銃撃戦や追っ手など数々の不幸に見舞われる彼だが、運命の女神と出会いひと目で恋に落ち……。スコセッシが製作総指揮の痛快アクション。

証人保護プログラム執行官の任務は、重要証人の命を守るため彼らの過去を抹消すること。その執行官のなかに、鮮やかな仕事で“イレイザー”の異名を持つ男がいた……。シュワルツェネッガー主演のハード・アクション。

Max Kirkpatrick is a cop who protects Kate McQuean, a civil law attorney, from a renegade KGB team out to terminate her

Documentary on the World War II invasion of Normandy by the Allies on June 6, 1944 utilizing diaries, personal letters, home movies, snapshots, period music and vintage radio broadcasts and newsreels.

A profile of fashion designer Geoffrey Beene, on his 30 years in the industry.

Niccolo "Mac" Vitelli is the eldest of three brothers in 1950s Queens. Mac is a construction builder, a trade he learned from his late father, and helps put his brothers on the job. When they can no longer take working for Polowski, who does shoddy work and is abusive to his staff, Mac and his brothers set up their own company. Together, Vitelli Brothers Construction builds houses with pride and care. But Mac turns out to be an overbearing workaholic, with obsessive concern about the quality of their work and incredible attention to detail. His intensity and driven ambition precludes a happy family life and begins to drive his brothers away.

In this modern day version of Shakespeare's Macbeth, a hitman heeds a spiritualist's prophesies that he will rise to the head of his family. He starts his ascension by clandestinely executing the heads of the family and casting the blame on others. However, with power comes consequences that are also predicted by the seer.

1929年、アメリカ東部の町。アイリッシュのレオ（フィニー）とイタリアンのキャスパー（ポリト）、二つの勢力が暗黒街でシノギを削っていた。レオとその片腕で博打好きのトム（バーン）は厚い友情で結ばれていた。同じくレオの部下バーニー（タートゥーロ）の姉、高級クラブで働くヴァーナ（ハーデン）はレオの情婦だったが、トムにも魅かれ一夜を共にする。やがてその事実がばれ、トムはレオと袂を分かつ。博打の借金に追われるトムはキャスパーの下で働くことになるが、受けた命令はバーニーを殺せ、というものだった……。

Ruthless elephant killers are confronted by determined conservationists.

Martha Travis is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron from her husband, Tom. But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows...

Hungarian physicist Leo Szilard leaves Europe, eventually arriving in the United States. With the help of Einstein, he persuades the government to build an atomic bomb. The project is given to no-nonsense Gen. Leslie Groves who selects physicist J. Robert Oppenheimer to head the Los Alamos Laboratory in New Mexico, where the bomb is built. As World War II draws to a close, Szilard has second thoughts about atomic weapons, and policy makers debate how and when to use the bomb.

A journalist receives an obscene phonecall that she mistakes for her boyfriend. She then agrees to meet with the caller at a bar, but instead of meeting the boyfriend, she witnesses a murder.

ふとしたきっかけで知り合った男が仕掛けた愛の罠にはまり、自らの内面に潜むさまざまな感情を目覚めさせていく女。“9週間半”にわたる大胆で官能的な世界を描いた異色のラヴ・ストーリー。

FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.