Rakeysh Omprakash Mehra
出生 : 1963-07-07, New Delhi, India
略歴
From Wikipedia, the free encyclopedia. Rakeysh Omprakash Mehra (born 7 July 1963) in a Hindu Punjabi Family in New Delhi. He is an Indian filmmaker and screenwriter. He is best known for writing and directing Rang De Basanti (2006), for which he won Best Director awards at the 2006 Filmfare Awards and National Film Awards and received a BAFTA Award nomination for Best Foreign Language Film. He is also the writer and director of the films Aks (2001) and Delhi-6 (2009).
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Producer
An inspiring story about an orphan boy from the streets of Dongri, who grows up to become a local goon of his area and how his life changes after he meets the young and compassionate Ananya, who guides him towards the right path and makes him realize his true calling i.e boxing.
Director
An inspiring story about an orphan boy from the streets of Dongri, who grows up to become a local goon of his area and how his life changes after he meets the young and compassionate Ananya, who guides him towards the right path and makes him realize his true calling i.e boxing.
Screenplay
A story about four children living in a Mumbai slum in India. An eight-year old Kanhu writes a letter to the Prime Minister after a dramatic incident with his mother.
Producer
A story about four children living in a Mumbai slum in India. An eight-year old Kanhu writes a letter to the Prime Minister after a dramatic incident with his mother.
Director
A story about four children living in a Mumbai slum in India. An eight-year old Kanhu writes a letter to the Prime Minister after a dramatic incident with his mother.
Producer
The journey of a struggling singer 'Fanney Khan' who aspires to make his daughter a big name in the music world.
Director
Two star-crossed lovers must battle the forces which try to keep them apart at different timelines and at different world's.
Director
The true story of the "Flying Sikh" world champion runner and Olympian Milkha Singh who overcame the massacre of his family, civil war during the India-Pakistan partition, and homelessness to become one of India's most iconic athletes.
Director
This spectacular montage of scenes from a wealth of classic Bollywood films
Producer
Bhatinda-based middle-classed Harpreet Gill is unable to get his three rather plain-looking and overweight daughters married and must live with constant criticism from his wife; his brother, Chiksi, is a fake dentist who incurs wrath of his patients; while his second brother, Fancy, is an out-of-work Punjabi movies' actor. The trio dislike each other and keep their distance. When their grandfather, Khetrapal Singh, passes away, the trio do get together and waste no time in squabbling with each other. They are, however, pleasantly surprised when they find out that he had left a mansion in their respective names. Their joy will turn to anger and disgust after they find out the location as well as the terms and conditions, spread over a period of three years, that go with this procurement.
Producer
Roshan, an NRI, arrives in Old Delhi with his ailing grandmother and starts to rediscover himself before getting caught in a religious dispute that shakes the once peaceful neighborhood.
Director
Roshan, an NRI, arrives in Old Delhi with his ailing grandmother and starts to rediscover himself before getting caught in a religious dispute that shakes the once peaceful neighborhood.
Screenplay
イギリス人監督が1920年代インド独立闘争を映画化。配役されたのは現地の大学生集団。政治に無関心な彼らだったが、ある事件をきっかけに歴史が再び蘇る。
Producer
イギリス人監督が1920年代インド独立闘争を映画化。配役されたのは現地の大学生集団。政治に無関心な彼らだったが、ある事件をきっかけに歴史が再び蘇る。
Director
イギリス人監督が1920年代インド独立闘争を映画化。配役されたのは現地の大学生集団。政治に無関心な彼らだったが、ある事件をきっかけに歴史が再び蘇る。
Screenplay
On the trail of an underworld contract killer, a dedicated police officer is thrust into a battle between good vs evil.
Story
On the trail of an underworld contract killer, a dedicated police officer is thrust into a battle between good vs evil.
Director
On the trail of an underworld contract killer, a dedicated police officer is thrust into a battle between good vs evil.
Producer
A documentary on the making of the BAFTA (2006) nominated Indian film RANG DE BASANTI and its effect on the people in India or what came to be called as the RDB EFFECT in the media.
