Ayat Najafi

出生 : 1976-09-23,

参加作品

The Sun Will Rise
Co-Producer
Tehran, October 2022; a theater ensemble is rehearsing the ancient greek Lysistrata by Aristophanes. In the middle of a scene in which old men storm and attack the Acropolis, which the women of Athens have taken, the ensemble learns that they are surrounded because anti-riot forces are marching around the building and putting down a large demonstration. The street noise is deafening, and the room is filled with fear and anger. Some want to hide, others, led by the leading actress, want to go out into the streets and fight alongside the people. Despite disagreements, one thing is clear, the team does not want to continue the play in the time of the revolution.
The Sun Will Rise
Writer
Tehran, October 2022; a theater ensemble is rehearsing the ancient greek Lysistrata by Aristophanes. In the middle of a scene in which old men storm and attack the Acropolis, which the women of Athens have taken, the ensemble learns that they are surrounded because anti-riot forces are marching around the building and putting down a large demonstration. The street noise is deafening, and the room is filled with fear and anger. Some want to hide, others, led by the leading actress, want to go out into the streets and fight alongside the people. Despite disagreements, one thing is clear, the team does not want to continue the play in the time of the revolution.
The Sun Will Rise
Director
Tehran, October 2022; a theater ensemble is rehearsing the ancient greek Lysistrata by Aristophanes. In the middle of a scene in which old men storm and attack the Acropolis, which the women of Athens have taken, the ensemble learns that they are surrounded because anti-riot forces are marching around the building and putting down a large demonstration. The street noise is deafening, and the room is filled with fear and anger. Some want to hide, others, led by the leading actress, want to go out into the streets and fight alongside the people. Despite disagreements, one thing is clear, the team does not want to continue the play in the time of the revolution.
No Land's Song
Screenplay
In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and her friends invite three French female singers, Elise Caron, Jeanne Cherhal and Emel Mathlouthi, to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between Europe and Iran. Are they going to succeed and finally be gathered in Tehran, sing together, on stage and without restrictions, and to open a door towards a new freedom of women in Iran ?
No Land's Song
Director
In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and her friends invite three French female singers, Elise Caron, Jeanne Cherhal and Emel Mathlouthi, to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between Europe and Iran. Are they going to succeed and finally be gathered in Tehran, sing together, on stage and without restrictions, and to open a door towards a new freedom of women in Iran ?
Football Under Cover
Screenplay
David Asmmann's Football Under Cover documents the hard work involved in setting up an exhibition soccer match, known as a "friendly," between a German girls squad and Iranian women's team. In addition to showing how the two groups come from very different cultures, the documentary showcases what playing the game means to the members of both teams, and displays how passionate the fans of these two squads are.
Football Under Cover
Director
David Asmmann's Football Under Cover documents the hard work involved in setting up an exhibition soccer match, known as a "friendly," between a German girls squad and Iranian women's team. In addition to showing how the two groups come from very different cultures, the documentary showcases what playing the game means to the members of both teams, and displays how passionate the fans of these two squads are.