Elisabeth Stepanek

Doctors say that Veronika, a woman in her 20s, is schizophrenic. She is compliant, which makes her an easy target for men. She's religious, believing she is God's favorite child; she searches for Jesus. She has sent a letter to a filmmaker suggesting her life as the subject for a movie. We see her raped then take up with a series of men she believes are Jesus, each willing or insistent on sex. A young man with his own crisis of faith invites her to join a cult. We see her involuntarily committed to an asylum from time to time where medication and constraints await. Her wealthy parents are helpless. Will a medical professional ever talk to her? If one did, would it help?

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

“Death is my Trade” centers on the life of Rudolph Höss, the commandant of Auschwitz II-Birkenau for the majority of its existence. The main character's name in the film is Franz Lang. This name change was deliberate to ensure that the character is not automatically viewed as being some sort of villain or demon. Franz is an average German kid growing up during World War I. The film follows Franz as he grows up and becomes a hard, efficient, organized worker who eventually joins the National Socialist party in Germany. Impressionable young Franz takes orders as one of the utmost points of honor and duty, so when he is eventually asked by Heinrich Himmler to become commandant of the largest extermination camp built during WWII he barely hesitates to consider how heavy such a burden will be.

The life and struggles of the German writer Heinrich von Kleist.

Based on a very successful play of the same name by Tankred Dorst, this film tells a story about Norwegian author Knut Hamsun (here played by O.E. Hasse), a Nobel prizewinner for literature who was notorious for having collaborated with the Nazi regime. After the war, rather than hand him over for prosecution, he was sent to a retirement home. A young man, bitter about the war, tracks him down and begins to harass him in various ways. The author handles everything that comes to him with remarkable dignity, which eventually removes some of the taint from his actions.