Juan Ferrara

The life of a woman changes completely after the murder of her mother and when she comes to live with her aunt, she realizes that she keeps a secret that has remained hidden and protected for centuries.

Sebastian, a renowned orchestra conductor, loses his son in a motorcycle accident for which his wife blames him, leading to the family's disintegration. With the intention to recover his daughter's affection, he takes her to Guanajuato, where he has a presentation. However, the unexpected encounter with a mortally wounded old man, who asks him for help to fulfill his last wish, will involve them in that mysterious murder, starting at that point a battle against their conscience and their own survival... a dangerous race against the clock. A touching story of drama and action, which shows us how a common family can be, when they less expect it, the main players in a surprising and dangerous adventure, for in life anything can change... when things happen.

DIDN'T DO IT FOR LOVE is a documentary portrait of Eva Norvind, a.k.a. Mistress Ava Taurel, born Eva Johanne Chegodaieva Sakonskaya in Trondheim, Norway. The film follows Eva's many careers, from her time as a showgirl in Paris to becoming Mexico's Marilyn Monroe in the 1960s to establishing herself as New York's most famous dominatrix in the 1980s. Using clips from Norvind's Mexican films, stills from various periods, and interviews with friends, partners and family, Treut's documentary traces Eva's search for the wellspring of her obsessive and dark sexuality.

Lupita Montero, a young singer , tries to break into the art world which is always hostile and complicated. Skillfully she knows a great entrepreneur of a record company who promises to make her a big star. The image of the young man begins to change, it is very frequent. Logically they end up falling in love and think it will be a great love, but in that environment everything is so complicated that Lupita decides to leave everything, both the love of his life and his career.

A soap opera actor is mixed in a real drama very similar to what he represents in his work.

Analytical view of one of the least reported conflicts of national cinema: the Cristero movement that developed in the regions of western Mexico between 1926 and 1929, highlighting the inability to be faithful to both the Church and the State.

とある砂漠ではりつけにされ、裸の子どもたちに石を投げつけられているキリストに似た風ぼうの盗賊（ホラシオ・サリナス）。自力で十字架から降り立った彼は、居合わせた男と共に町へ向かう。町ではキリスト像を売る太った男たちに捕らえられ、鏡の部屋に閉じ込められてしまう盗賊だったが、何とか部屋から脱出し……。

Doña Refugio works in an office until the bounce and has three children: Fernando who is studying to be a lawyer, doctor and Nacho Edmundo to work in a company as a truck driver gas. Things become difficult within the family and each seek solutions to economic oppression living.

A mute fisherman helps another whose boat capsizes, he dies and leaves behind a girl whom he raises as his own daughter.

When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…

Blended family comedy/drama -- the narrative hook is that the two original families are fans of opposing soccer teams.