Michael Whyte

出生 : , Middlesbrough, Yorkshire, England, UK

略歴

Michael Whyte was born in Middlesbrough, Yorkshire. He grew up in Bradford and after leaving school he went to study film at The Royal College of Art, London. His graduation film, 'Billy', was shown at the Edinburgh and London Film Festivals 1972. Since then he went on to make documentaries of social and political subjects. His first documentary,'Scream Quietly or the Neighbours Will Hear', was the first documentary to show the effect of domestic violence. Set inside Chiswick Womens' Aid, a refuge for battered wives, it let the women speak for themselves about their lives with violent partners. One of his later documentaries, 'Creggan', detailed life in the catholic Creggan Estate in Derry, Northern Ireland. This documentary was banned by the IBA for over a year; when it finally was transmitted it was highly acclaimed and won the prestigious Prix Italia, for best documentary, 1980. Michael Whyte turned to directing drama in 1985 winning various awards for his films, such as Catherine, a story of a girl who died of anorexia, (The Special Jury Award, San Francisco Film Festival, 1987, and the Prix Europa Award 1987.) As well as directing, he also writes screenplays and has had an exhibition of his photographs.

参加作品

Looking for Light: Jane Bown
Looking for Light: Jane Bown
Producer
In the almost six decades that Bown worked for The Observer, she became renowned for insightful, highly individualistic portraits of the famous. Some of these portraits are now regarded as classics of the genre - Samuel Beckett, Queen Elizabeth II, The Beatles, Bertrand Russell, Mick Jagger and Margaret Thatcher. For the first time, she spoke candidly about her career and revealed how her very personal approach to the taking of portraits is informed by a deep sense of loss and abandonment. This private portrait is enhanced by a series of insightful interviews with Jane’s peers, family, colleagues, friends, and of course some of her subjects.
Looking for Light: Jane Bown
Looking for Light: Jane Bown
Editor
In the almost six decades that Bown worked for The Observer, she became renowned for insightful, highly individualistic portraits of the famous. Some of these portraits are now regarded as classics of the genre - Samuel Beckett, Queen Elizabeth II, The Beatles, Bertrand Russell, Mick Jagger and Margaret Thatcher. For the first time, she spoke candidly about her career and revealed how her very personal approach to the taking of portraits is informed by a deep sense of loss and abandonment. This private portrait is enhanced by a series of insightful interviews with Jane’s peers, family, colleagues, friends, and of course some of her subjects.
Looking for Light: Jane Bown
Looking for Light: Jane Bown
Cinematography
In the almost six decades that Bown worked for The Observer, she became renowned for insightful, highly individualistic portraits of the famous. Some of these portraits are now regarded as classics of the genre - Samuel Beckett, Queen Elizabeth II, The Beatles, Bertrand Russell, Mick Jagger and Margaret Thatcher. For the first time, she spoke candidly about her career and revealed how her very personal approach to the taking of portraits is informed by a deep sense of loss and abandonment. This private portrait is enhanced by a series of insightful interviews with Jane’s peers, family, colleagues, friends, and of course some of her subjects.
Looking for Light: Jane Bown
Looking for Light: Jane Bown
Director
In the almost six decades that Bown worked for The Observer, she became renowned for insightful, highly individualistic portraits of the famous. Some of these portraits are now regarded as classics of the genre - Samuel Beckett, Queen Elizabeth II, The Beatles, Bertrand Russell, Mick Jagger and Margaret Thatcher. For the first time, she spoke candidly about her career and revealed how her very personal approach to the taking of portraits is informed by a deep sense of loss and abandonment. This private portrait is enhanced by a series of insightful interviews with Jane’s peers, family, colleagues, friends, and of course some of her subjects.
No Greater Love
No Greater Love
Director
View the pace of life at the Monastery of the Most Holy Trinity in Notting Hill, home to a cloistered order of Carmelite nuns.
Flowers of the Forest
Flowers of the Forest
Director
Two young children are brought to Janet Hinton, a social worker in the Scottish Highlands. When both she and an independent expert become convinced that the children are part of a ritual child abuse network, the small community is thrown into disarray.
The Man Who Cried
The Man Who Cried
Director
Abel Mason is a man caught in a loveless marriage with a harridan wife who constantly berates him and beats their son Dick. When the one woman he loves dies at the hands of her husband after he was sent a letter by Mason's wife, exposing the affair, Abel leaves her for good taking to the road and young Dick with him.
The Railway Station Man
The Railway Station Man
Director
An Irish artist, widowed by an IRA bombing, gradually learns that the American man she has become involved with is not who he seems.
Your Cheatin' Heart
Your Cheatin' Heart
Director
In this fondly remembered mini series John Byrne, creator of Tutti Frutti, explores the country music scene in an unsentimental portrait of Glaswegian life and culture. Local food and wine correspondent Frank McClusky falls in love with waitress Cissie Crouch. Unfortunately for him, she’s the wife of a convict, who is serving time for a crime he didn’t commit. As Frank’s life becomes more embroiled with Cissie’s he goes on a mission to track down the guilty men.
Small Zones
Small Zones
Director
Intertwined story of the lives of two women; an Englishwoman suffering abuse from her violent husband, and a Russian poet serving hard labour because of her subversive work.
The Gourmet
The Gourmet
Director
A rich old gourmet that has decided to taste all there is of exotic meals has already tried the most, even human flesh, when he gets a tip from a rich midget. The midget had tasted everything out of this world, and even something not of this world. In other words, a ghost. The gourmet gets very interested and the midget gives him the info that is needed. And once he has found a haunted place, all he has to do is wait for the ghost to turn up so he can have the most exotic meal in his career as a feinschmecker.
On the Palm
On the Palm
Director
Fledge needs a job. He'll take anything. And when Dawlish gives him strange errands to run, for cash in hand, strictly 'on the palm', it's a welcome change from the dole. Until he finds himself digging dirt on an old friend....