Masami Horiuchi
出生 : 1950-03-22, Tokyo, Japan
Obstetrician and Gynecologist
After a long and unsuccessful struggle to get pregnant, convinced by the discourse of an adoption association, Satoko and her husband decide to adopt a baby boy. A few years later, their parenthood is shaken by a threatening unknown girl, Hikari, who pretends to be the child's biological mother. Satoko decides to confront Hikari directly.
Jinemon Shoji
Genshiro Kusaka, who runs a detective business in the Edo city, had a contract with Shinigami Juran. A "prostitute serial murder case" occurred at the Great Yukaku in Yoshiwara. How does both Genshiro and the Shinigami gonna solve it?
Yuta, a young master at the Tsukiji Fish Market, accidentally drops his meal of mixed seafood into the Sumida River. Some time afterwards a gigantic mutated squid monster arises from the depths and begins to wreak havoc upon an awe-stricken Tokyo. Attempts by the Japan Self-Defense Forces to stop the creature prove futile. As it seems things couldn’t get any worse an enormous mutant octopus monster emerges from the deep and heads into a clash of the titans with the gargantuan squid! As a last ditch effort, the government forms the “Seafood Monster Attack Team (SMAT)” and an all-new plan of attack is immediately put into action. But just as the tide appears to be turning in humanity’s favor, a colossal crab monster appears, joining in the Monster Seafood Wars and plunging the world into culinary chaos…
Scene one: March 11th, 2011. An earthquake and a tsunami strike the East coast of Japan, damaging the Fukushima Nuclear Power Plant. A man and five other brave power plant workers are sent to fasten a bolt to prevent radiation leaks. Scene two: 2013. The man is now cleaning the empty houses surrounding the nuclear plant. But the strange atmosphere starts giving him hallucination... Scene three: Christmas, 2014. A woman in a red car crashes by the garage where the man is working. The woman looks just like his wife, who died in the tsunami.
Tattoku
阿佐田哲也の小説を、『blank13』で監督としても活動している『昼顔』シリーズなどの斎藤工主演で映画化したドラマ。舞台を終戦直後から2020年へと移し、1945年からやってきた主人公が、麻雀で死闘を繰り広げる。『孤狼の血』などの白石和彌が監督を務め、脚本を『東京闇虫』シリーズなどの佐藤佐吉が手掛ける。
A troubled teenager who is about to kill herself has a life changing encounter with a female vampire.
Straight to video film directed by Minoru Kawasaki
恋人・百合子との結婚を控えるフリーランスの記者・耶雲恭介は、天才カメラマンとされる木原坂雄大が起こしてきたと疑われる連続殺人事件について書くことを週刊誌の編集者、小林に頼んで承諾を得る。雄大は女性に火を付け、彼女たちが焼死する様子を撮影していると疑われていたが、犠牲者たちには必ず愛する人がいた。雄大自身から密着取材する許可を得た恭介だが、雄大は百合子に目を付け、自分の作品のモデルにしようとする。
Koshiro
東京で雑誌モデルを務める望月夏芽は、急に父親の郷里である浮雲町に転居することになる。彼女は都会とはかけ離れた田舎での地味な生活に幻滅してしまうが、長谷川航一朗と出会ったことで人生が一変する。彼は田舎町で有名な神主の一族の出身で、夏芽はひねくれ者で一風変わった航一朗に強く惹き付けられる。
Shinjiro Egawa
The dead body of Maki Tsujimoto, a popular stage actress, is discovered in a theater in Oji. After striking her in the back of the head with a bronze statue prop, the criminal laid the body on the floor and pointed a light at it, "directing" the crime scene as if it were a scene from a play.
Ryo Edaka
The strangled dead body of Hiroshi Hatano, accounting section chief at the longstanding apparel company Edaka International, is discovered in his apartment in Tokyo. At the scene, Inspector Totsugawa and Detective Kamei find out that a mysterious email stating "I'll be riding the Super Ozora 5 tomorrow" was sent to the victim's cell phone the night before. The sender, Manami Furuya, an employee of Edaka International's Planning Section, has strangely terminated her cell phone service and hasn't shown up to work that very morning. Immediately afterwards, Totsugawa is astonished to receive a report from the Hokkaido police stating that the body of a man, stabbed to death, has been found on the Super Ozora 5 limited express. The man is Yuuki Nakamura, a bar employee from Tokyo, who seems to have flown from Haneda Airport to Sapporo and then boarded the Super Ozora 5, which connects Sapporo and Kushiro. Totsugawa has the feeling that this can't be a coincidence...
Bunsei era, at a time when Edo culture is at its peak, and barely 50 years before the arrival of the Meiji Restoration in 1868. Sabu is a cheerful, honest young man who left his hometown with the dream of becoming a policeman. He is an informant to the policeman Saheiji of Asakusa in Edo and stays with him and his daughter Midori. One day, Sabu encounters the cool master swordsman Ichi, who makes a living giving massages, and they become partners in an unexpected way. Although Sabu is still an informant, he and the blind Ichi collaborate in a way that compensates for each other’s shortcomings. Sabu becomes Ichi’s eyes while Ichi becomes Sabu’s right-hand man and solves cases with his well-honed skills of deduction as they search for the truth in difficult cases in Edo. One case starts with the discovery of two dead bodies in the Sumida River. The bodies have diagonal slashes and were left in boxes.
東京都羽澄市にある古民家で、住人・百瀬うの(田島令子)の刺殺死体が発見された。早朝、現場に向かった警視庁捜査一課の棟居弘一良(東山紀之)と神林武人(きたろう)は、第一発見者である“金髪フィーリア”(加藤夏希)から事情を聴く。彼女は被害者の義理の孫娘で、本名は“夏目初子”。うのの隣に住んでおり、元歌手という知名度を生かし、駅裏でバーを開いているという。フィーリアは前夜、店からうのの元に何度か電話をかけたが、応答がないため心配になって戻って来たところ、祖母の死体を見つけたと話す。
仙台医療センターで麻酔科医長として勤務している隆子と、開業医の夫貞一は夫婦二人三脚で暮らしてきた。だが、東日本大震災が東北を襲って以来、貞一は自分の医院を閉めたままにして被災地で診療所を開始する。隆子の部下の麻酔科医純子も震災によってただ一人の肉親である父親がこの世を去り、なかなか立ち直れずにいた。
Dan (Mitsu Dan) is a former geisha, now working as an ace pilot for the Earth Defense Troops. Her fiance was killed by the space monster Bemurasu which consumes nuclear waste. To save Planet Earth, Dan attacks Bemurasu, but whenever she does, she feels ecstasy. Can she save Planet Earth?
aka Aquarian Age: The Movie, is based on the popular Japanese CCG (that's collectable card game, for you gaming neophytes), Aquarian Age. The movie represents the transition between the game's first and second Sagas and seems to have been made primarily for fans of the card game, so familiarity with the basic story and characters is assumed. Those watching the movie without first reading the background info in the included booklet are going to be totally lost about what's going on, as the movie begins right in the middle of the climatic battle which wraps up the first Saga. Though it uses the same organizations as the Aquarian Age TV series, the movie does not seem to be directly related to the TV series in any way. (I cannot absolutely confirm this, however, since I only ever saw the first few episodes of the TV series.)
Okawa Family’s yakuza, Junji, is released from prison, and is told to take over a local radio station by his boss. Junji tries to explain that it is not a yakuza’s job to talk on the radio, but no one listens to him. He reluctantly goes to the radio building, and is met by a young, upbeat girl broadcasting a talk show and playing pop music. Will this seasoned gangster really fit in on such a show?
Koganei
1920年(大正9年)の東京で、不可思議な美女連続殺人事件が次々と発生していた。諜報機関からこれらの捜査の密命を受けた陸軍大尉・本郷義昭(山中峯太郎の軍事冒険小説の主人公)は、友人の平井太郎(のちに小説家・江戸川乱歩として有名になる)とともに浅草のダンテ劇場を調査中、ザビーネという日独ハーフの美女と出会う。
Satomi is a research student who travels to northern Japan seeking reported olden Christian relics. On the island of Hokkaido and in a village, odd deeds are occurring. As such, she bands together with another researcher and locals to uncover the truth and understand the infernal happenings of which there are many.
(segment "Mirror Hell")
荒野を歩き続けていた男の意識が、やがて錯乱の淵へ堕ちていく悪夢譚、「火星の運河」。殺人事件の現場に残された和鏡の謎を追う、美青年・透と明智小五郎の物語「鏡地獄」。廃墟でひっそりと暮らす、胴体だけの夫とその妻の奇行を、一人の男が屋根裏から監視し記録する「芋虫」。恋焦がれる女優を殺害した運転手の、異常な執着を描く「蟲」。4つの物語は、やがてひとつの大きな流れへと向かっていく。
Tange Sazen: Hyakuman Ryo no Tsubo is a remake of a classic 1935 film of the same name by Yamanaka Sadao. Tange Sazen, the one-armd, one-eyed ex-samurai swordsman is the creation of Hayashi Fubo and was one of the most popular characters of the era. This remake is helmed by freshman director Tsuda Toshio, starring Toyokawa Etsushi as Sazen and Wakui Emi as Ofuji, his quick-witted wife. This marks the 34th film in the series of Tange Sazen, and involves an Urn that is worth a million Ryo!.
Yuichiro Izutsu
When the clock's hand turns into a knife, parent-child bonds are torn!
Reporter Ichiro Tamura
「なあ、おれと駆け落ちしないか?」幼なじみボーイフレンド・斉藤秀一からのとつぜんの告白に戸惑う五島桐絵。最近、秀一は何かに怯えているかのように元気がなく、桐絵はずっと心配していた。やがて、桐絵の通う高校の生徒が、らせん階段から飛び降りて死んだ事件をきっかけに、秀一はおぞましいことを口にする。二人の暮らす黒渦町が得たいの知れない”うずまき”の力に取り憑かれているというのだ。その後、秀一の父・敏夫までが謎の死を遂げると、二人の周囲に禍々しく、怪奇なうずまき現象が次々と巻き起こりはじめる。
Kuroda
Strange things lurk in dreams. For Mukoda Tetsurou and the doctors tending to him, things have begun to get stranger as Mukoda begins having longer and longer dreams every night. Can one dream infinity in the span of a night?
Kishibe The Scientist
A teenage girl makes a new friend at her school who tells her that she has the ability to travel between worlds.
昭和二年、古本屋の女将が殺されるという事件が起きた。第一発見者が逮捕されるが、やがて他の者にも嫌疑がかかる。『屋根裏の散歩者』に続いて実相寺昭雄が監督した、明智小五郎を探偵役とする佳品。原作は江戸川乱歩の2つの短編「D坂の殺人事件」と「心理試験」。物語は真田広之演ずる贋作師・蕗屋が依頼された春画の製作を中心に、妖しくもつれた人間関係を官能的に描いていく。
Kiichiro Katabe
In 1923, in a cheap Tokyo rooming house, a languid young man named Goda was feeling bored with his life. One day while playing dress up with a woman’s wig and lipstick, he accidentally loosens a ceiling board in his closet. Climbing up, he discovers a dimly lit passageway under the roof leading to the resident’s other rooms. Soon he is scampering about like a ninja, making knotholes and moving ceiling boards for a better view. What he sees are the intimate acts - sadistic, criminal or vaguely mad - that reveal infinitely more about his fellow roomers than the various fronts they present to the world.
A man hires a Private Investigator in order to find proof that his wife has been cheating on him. Soon, we learn that the man’s plan is to set the wife up, divorce her and remarry again in America with the daughter of his boss.
The ASH (Abnormal Species Humanoid) first appeared in the beginning of the 1980s. They looked like humans, but they weren't. The ASH can be identified by a pulsating appendage on their back; it resembles an embossed root clutching the spine. These humanoid creatures have the power to destroy telepathically via a deadly impulse which hemorrhages brain cells. Their goal is to populate the planet via random sexual contact and then take control. There are special police units who fight the ASH. This top secret organization is called The Society For Environment Protection and its agents are called psychosists
Tetsushi
A series of serial murders occurred in a historic ruins where a TV crew is shooting a documentary.
A rape incident has occurred. The victim was a woman named Yumiko Kawamura (Keiko Kaga), a dental hygienist. However, the statements of the victim Yumiko and the suspect Saburo Kubo were completely incompatible. Adachi, a national lawyer who took on the defense of the suspect, will begin a personal investigation of Yumiko to find out the truth of the case.
Okita
Nagare, a painter who wanted to commit a lover’s suicide with Mizue, the wife of his friend and patron Takigawa. Growing afraid at the last moment, he doesn’t go through with it – but Mizue sinks to the bottom of Blue Lake. Some time later, Nagare follows an invitation by Takigawa, who claims to have forgiven everything. To Nagare’s shock, Takigawa’s new wife, Ameko, looks exactly like Mizue. While staying as Takigawa’s guest, Nagare becomes haunted by Mizue’s ghost, who wants to be reunited with him at the bottom of Blue Lake.
Hiroyuki (Husband)
Yoshiko Sejima gets a call from a man claiming to be from her husband's company. He tells her that he will come to pick her up on behalf of her husband. It turns out that he's a kidnapper and takes Yoshiko to a hotel, and proceeds to rape her. This man Fuji Nakatogawa calls Yoshiko's husband but doesn't request a ransom. He's just bent on humiliating Yoshiko to submission to be his sex slave.
Toichiro Yasuda
Based on the manga of the same name. Originally published in the Japanese magazine Weekly Playboy. It follows Ippei Yasuda, son of a prominent family, who is immensely gifted in nearly everything he does.
Utamaro was an artist who lived in Edo (which was later to become modern-day Tokyo) in the late 18th century. This film, which has a complex and wide-ranging storyline, recreates the world of that time, as it appeared in Utamaro's paintings.
When his pistol is stolen, police detective Murakami is humiliated, especially when the gun is later implicated in a crime. Working with his superior, Chief Detective Sato, Murakami works feverishly to trace the location of his pistol, ultimately clashing with a gang of youthful Okinawans.