Erik Waisberg

In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.

A story of a first love and a beautiful age of seventeen...

During the Gorbachev years, Platon Makovski and his four buddies are university students who jump on the private capitalism movement. Fast-forward 20 years, Platon finds himself the richest man in Russia, having sacrificed his friends to get to the top. But with this cynical rise, comes a brutal fall.

The beautiful Tanya returns to her small mining town, after supposedly working as a model in Moscow. She decides to marry her shy school sweetheart Mishka, who now works in the mine. The miners finally receive some pay, but Mishka still ends up with no money to buy his bride a gift, so he seeks the help of his perpetually drunk buddy Garkusha. Mishka's poor working-class family all help to put on a fine wedding with copious amounts of vodka, even though they are suspicious of Tanya's occupation in Moscow, and of her connection with her Mafia ex-boyfriend Borodin.

Old skipper travels with his old ship called "Fortune" on the Russian river.

After Polina, a mother of six, loses her husband, who went to jail for stealing charcoal and was killed when he tried to escape, she stays behind without any support. To be able to survive, Polina and her family start a folk group. But soon she understands that her children deserve a better fate, and she takes the desperate decision to steal a plane and go abroad... Fifteen years later, Polina is released from prison and finds out that fate has scattered her children all over the country: one is in the army, another is a miner in the Donbass, and the oldest, Lyonchik, who used to be in a mental institution, now pretends to be insane. Polina gathers all of her sons to free their older brother from the psychiatric hospital...

The plague of civil war reached a provincial town, where several noble families were stuck waiting for a train. The joy of hope was replaced by despair, fear of the future. No one knew how much was allotted to him in this life. Emotions boil, passions run high, hearts break, will is destroyed, pride is trampled. Each of the heroes survives in his own way, but all fell low. Ah, if you only knew when the long-awaited train would arrive in Moscow ...

A new doctor from Moscow arrives at a provincial mental institution. His interest is the peculiarities of the psyche of a patient who believes that he is Yakov Yurovsky, the man who assassinated the last Russian tsar. In the course of their conversations it transpires that the patient is a kind of philosopher, not without a gift for suggestion. In a while the doctor himself falls under his patient’s influence: he tends to relive that fatal night of June 16-17, 1918 when, without any investigation or trial, Tsar Nicholas II, who had recently abdicated, was murdered, together with his wife, daughters and incurably ill heir. Soon the doctor realizes that the tragedy of the last Russian tsar is in part his own tragedy, too...

Ａ・タルコフスキーの作品は様々な映像の断片がコラージュされたようなものばかりである。この「鏡」もまたそうであり、彼の自伝的要素を持つというが、解るような解らないような……。でもその数々の映像はどれもこれもかっこ良く、戦争の記録フィルムらしきものも出てくる。物語などの存在は忘れてただひたすら映像の中で泳ぐような感覚で、なんとも美しい一本だ。