Andrew Young
出生 : 1932-03-12, New Orleans, Louisiana, USA
略歴
Andrew Jackson Young Jr. is an American politician, diplomat, and activist. Beginning his career as a pastor, Young was an early leader in the civil rights movement, serving as executive director of the Southern Christian Leadership Conference and a close confidant to Martin Luther King Jr.
Self
Chewing gum sculptures, a wealthy gallerist, a notorious murder case, and the segregated south - it's all part of Nellie Mae Rowe's boundless universe. This World Is Not My Own reimagines this self-taught artist's world and her life spanning the 20th century.
Self
An inspiring portrait of the life and legacy of Jewish theologian and philosopher, Rabbi Abraham Joshua Heschel. Heschel was one of the most remarkable and inspiring figures of the American 20th Century. He was a mentor to Martin Luther King, Jr and the entire Civil Rights Movement, a leading critic of the Vietnam War, a champion for Soviet Jews, and a pioneer in the work of interfaith dialogue.
Self
Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.
Executive Producer
Follow New York City maestro Arturo O’Farrill, Afro Latin Jazz Orchestra founder, to Veracruz, Mexico where he meets up with the masters of a 300-year-old folk music tradition called son jarocho and then joins them for a historical music festival called “Fandango Fronterizo” that takes place simultaneously on both sides of the United States-Mexico border transforming the wall from an object that divides to one that unites.
Self
第39代アメリカ合衆国大統領ジミー・カーター。リベラルな姿勢を貫く彼は、同時に大の音楽好き。大統領在任時の1978年にホワイトハウスにミュージシャンを招いてコンサートを開いた最初の大統領でもある。「アメリカを団結させるものの一つが、僕らが共有し愛する音楽だ」と語る彼は、96歳となった現在も幅広いジャンルのアーティストたちとの交流を続けている。
そんなロックンロール・プレジデント、ジミー・カーターの音楽への情熱と、ボブ・ディラン、U2のボノ、ウィリー・ネルソンら著名ミュージシャンたちとの交友関係にスポットを当てたドキュメンタリー。ほかにポール・サイモン、ナイル・ロジャース、ガース・ブルックス、そして故人となったグレッグ・オールマンも出演。音楽が文化として深く根付くアメリカの一面を知る、興味深いドキュメンタリーといえるだろう。
Self
An unusual group of people who came together in the most unlikely location to make it possible for the greatest athlete on the planet to have a career once again.
Self
Whenever the phrase "breaking the color line" is used, there's a temptation to invoke Jackie Robinson's story. However, Perry Wallace, the first black college athlete in the Southeast Conference, was a mere teenager who stood all alone at center court in such hotbeds of rabid racism as Starkville, Mississippi and Tuscaloosa, Alabama.
Self
On the anniversary of Martin Luther King's death, Sir Trevor McDonald travels to the Deep South of America to get closer to the man who meant so much to him.
Self
A chronicle of the final chapters of Dr. Martin Luther King Jr.’s life, revealing a conflicted leader who faced an onslaught of criticism from both sides of the political spectrum.
Self
Biographical documentary about John Lewis, the civil rights icon, respected legislator and elder statesman who continues to practice nonviolence in his determined fight for justice.
Self
Documentary commemorating the 50th anniversary of Martin Luther King's March on Washington, a pivotal moment in the Civil Rights Movement in the United States. The film tells the story of how the march for jobs and freedom began, speaking to the people who organised and participated in it. Using rarely seen archive footage the film reveals the background stories surrounding the build up to the march as well as the fierce opposition it faced from the JFK administration, J Edgar Hoover's FBI and widespread claims that it would incite racial violence, chaos and disturbance. The film follows the unfolding drama as the march reaches its ultimate triumphs, gaining acceptance from the state, successfully raising funds and in the end, organised and executed peacefully.
Self
Documentary about British fashion designer Ozwald Boateng.
Self
Directors Robert Townsend and Quincy Newell offer this comprehensive and hilarious examination of the history, evolution and cultural significance of African American comedy in America, from the earliest minstrel shows to the latest HBO special. Featuring interviews with cultural critics and loads of comedic clips, this program features appearances by a who's-who of black comedians including Chris Rock, Bill Cosby, Whoopi Goldberg and many more.
Self
Movin' On Up is the definitve documentary on one of the most important artists and greatest groups of all time.
Self
Documentary about the final five, turbulent years in the life of civil rights activist Martin Luther King. The story begins at the Lincoln Memorial in August 1963, when a 34-year-old preacher galvanized millions with his dream for an America free of racism and comes to a bloody end five years later on a motel balcony in Memphis. King has since become a mythic figure, an activist whose works and image are more hotly contested, negotiated and sold than almost anyone else's in American history. (Storyville)
Self - SCLC
On September 15, 1963, a bomb destroyed a black church in Birmingham, Alabama, killing four young girls who were there for Sunday school. It was a crime that shocked the nation--and a defining moment in the history of the civil-rights movement. Spike Lee re-examines the full story of the bombing, including a revealing interview with former Alabama Governor George Wallace.
Self (archive footage) (uncredited)
才人スパイク・リー監督が、自身も尊敬する、近代アメリカきっての偉大な思想家であり、キング牧師と並ぶ黒人解放運動のリーダー、マルコムXの生涯を描いた伝記的作品。物語は、マルコムがチンピラだった頃から始まる。若くして窃盗罪で服役し、刑務所の中でイスラム教に改宗、出所ののち彼は、イライジャ・ムハマットの下でブラック・モスレムきっての白人を敵対視する煽動家となる。やがて組織に疑問を感じ、多人種共存の道を探ってメッカを巡礼、そしてあらゆる人種の真の友愛を悟って帰国。そしてアメリカ黒人の解放運動を今までになかった新しい理念によって大きく展開しようとした矢先の1965年2月21日、ハーレムのオーデュボン・ボールルームでの講演中に13発の銃弾を浴びて射殺されるまでの、壮絶な軌跡を克明に追う。原作は、マルコムXが著わし「ROOTS/ルーツ」のアレックス・ヘイリーがまとめた『マルコムX自伝』。D・ワシントンのパワフルな芝居とテンポの良い演出が、この長尺を一気に見せる。
Self
This special three-part presentation of "Like It Is" examines the history of the black civil rights movement in the United States, emphasizing the role of black leaders and activists. Including the defected FBi-agent "Othello" Darthard Perry tells it all.
Self (archive footage)
Constructed from a wealth of archival footage, the documentary follows Dr. Martin Luther King, Jr. from 1955 to 1968, in his rise from regional activist to world-renowned leader of the Civil Rights movement. Rare footage of King's speeches, protests, and arrests are interspersed with scenes of other high-profile supporters and opponents of the cause, punctuated by heartfelt testimonials by some of Hollywood's biggest stars.
Self
Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.
Self
Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”