Natalie Cristiani

A seventeen-year-old girl hasn’t left her room in an indefinite amount of time. Those like her call them hikikomori, they are teenagers who decide to build themselves a little prison, leaving the outside world outside the door. Her routine is broken when, online, she meets Dev, a boy ten years older. The two fall in love immediately.For her it is the first love. In order to meet Dev, she must leave that cage. But there is someone willing to do anything to prevent her from getting out of there.

A racewalking athlete Maria runs a petrol station with a takeaway shop in a desolate mountain village, she is almost 30 years old, she may have little chance to fulfill her lifelong dream of success but at what cost?

The life and times of Italian music legend Renato Carosone.

A story about one of the most famous and mysterious archaeological sites in the world.

A unique chance to explore Pier Paolo Pasolini's youth through the voice and the body of his direct cousin, writer and poet Nico Naldini.

In 1914, with Italy on the cusp of joining World War I, a commune of Scandinavian artists establishes itself on the rural island of Capri, a safe haven for dissidents and nonconformists from all over the world, like Russian exiles led by Maxim Gorky, preparing the upcoming revolution. Here, local shepherdess Lucia finds herself torn between Seybu, the charming leader of the commune, and Carlo, a young doctor.

Ramón Alvia is a professional boxer who, although he has won several international championships, is old and is at the end of his career. He resists. In the gym, Ramon discovers among the young boxers Deborah, a beautiful girl.

Nicola Costantino is one of the most controversial and admired artist of Latin America. The documentary follows the visual artist, from the first origins of her work until her participation at the last Venice Biennale 2013.

Nicola Costantino is one of the most controversial and admired artist of Latin America. The documentary follows the visual artist, from the first origins of her work until her participation at the last Venice Biennale 2013.

María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.

Italy, 1947. Attilio is a Fascist and disgraced former movie star. Out of desperation, he joins a band of robbers for a heist. After the robbery, Attilio and the robbers take refuge in a house that proves to be deadly.

In this dark tale of an esoteric ritual, a woman enters a shadowy laboratory where three witches attend a bubbling cauldron, surrounded by hanging skeletons of dresses. She is disrobed, led to a bath, laid in the water and her finger pricked to draw blood. The witches circle, chanting in strange tongues. As the smoke clears, we see the woman has made the ultimate sacrifice, transforming herself into the object of her desire.

A three-billion-lire hit. A bloody hold-up. A sole survivor. Hunted down by fate and ruthless gangsters, Leo Piazza finds himself with a "hot" suitcase on his hands. Forced to go into hiding, time is running out. The killers want him dead so they can retrieve the loot and the showdown draws near... A nocturnal and silent anti-hero, Piazza moves like a zombie, like the living dead.

A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house.

A couple of bourgeois intellectuals, Carlo and Silvia, have been married for twenty years. While she lives in their flat in Rome, he spends most of his time in the country house where he writes his books, openly living with his younger lover, Lù. In return, Carlo has long accepted that her wife may have lovers, but her volatile relationship with a young neo-fascist suddenly rekindles his jealousy.

Maria lives with her 18-year-old sister, Caterina in a small apartment, tutors her at home, lets her out only for dance classes. Yet Maria sees no reason to hide her work as a prostitute from her sister. Men come in and out of the apartment constantly, and Caterina turns up the volume on her music to drown out the sounds from the next room. The film soon reveals that the sisters are in love with each other, a situation that cannot stand, but exactly what prompts the characters' behavior is rarely clear. Soon after Caterina's belated discovery of her heterosexuality, she is invited into the bedroom with Maria and a client.