Freddy wants to be a star. He writes and performs his own songs, but has no record contract yet. He has an idea to form a group of back-up vocalists and recruits four beautiful girls who also happen to be his former lovers. They name themselves "THE FOUR PIN-UPS." But even this doesn't work because Freddy wants the spotlight for himself. However, by chance, the girls find themselves onstage without Freddy; they start singing and capture the audience and sign a contract with a big producer. They seem to be on the road to success with their own sound and a new wave image. Except the dream begins to lose its glow; scandal, conflicts, and disenchantment start affecting the group. They go from number one to...
Herr Loderer
After the big success of the first part the film-makers apparently felt pressured to launch a new "investigation" and gather new material. Therefore, Friedrich von Thun again ventures out into the streets, this time of Berlin, to ask schoolgirls about their sexual experiences. The invinted guests talk about (allegedly) true events. Schoolgirls that seduce their teachers, runaway girls that have been robbed and who have to prostitute themselves or innocent girls that have been drugged and raped...
Jochen Albert
Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.
