Zoltán Fábri
出生 : 1917-10-16, Budapest, Hungary
死亡 : 1994-08-23
略歴
Zoltán Fábri (15 October 1917 – 23 August 1994) was a Hungarian film director and screenwriter. His films The Boys of Paul Street (1969) and Hungarians (1978) were nominated for the Academy Award for Best Foreign Language Film. His 1965 film Twenty Hours shared the Grand Prix with War and Peace at the 4th Moscow International Film Festival. His 1969 film The Toth Family was entered into the 7th Moscow International Film Festival. His 1975 film 141 Minutes from the Unfinished Sentence was entered into the 9th Moscow International Film Festival, where he won a Special Prize for Directing.
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Screenplay
The elite of political and business life of the country town gather to celebrate the namesday of László in the luxury villa. Everything begins just as usual, but now an incident disturbs the stag party.
Director
The elite of political and business life of the country town gather to celebrate the namesday of László in the luxury villa. Everything begins just as usual, but now an incident disturbs the stag party.
Screenplay
When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.
Director
When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.
Screenplay
1918. Fábián Bálint is forced to kill humans on the Italian front. At home his sons drown the priest, the lover of their mother, in the river Kraszna. Mrs. Fábián turns insane. Following his arrival home Bálint becomes the liveried coachman of the baron.
Director
1918. Fábián Bálint is forced to kill humans on the Italian front. At home his sons drown the priest, the lover of their mother, in the river Kraszna. Mrs. Fábián turns insane. Following his arrival home Bálint becomes the liveried coachman of the baron.
Zoltán Dániel
Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.
Writer
A group of landless Hungarian peasants accept work as migrant-laborers on a farm in northern Germany where the wages are good, and the wives and family are allowed to accompany them. Though it is in the midst of World War II, they are relatively well-off. However, they glimpse the treatment accorded to POWs and others who are not so gently treated, and at the conclusion of the year's harvest, they choose to return to Hungary and are quickly swept up in the tides of war. This film is part of a series of films by award-winning, well-respected director Zoltan Fabri who devoted much time and effort chronicling the struggle against fascism.
Director
A group of landless Hungarian peasants accept work as migrant-laborers on a farm in northern Germany where the wages are good, and the wives and family are allowed to accompany them. Though it is in the midst of World War II, they are relatively well-off. However, they glimpse the treatment accorded to POWs and others who are not so gently treated, and at the conclusion of the year's harvest, they choose to return to Hungary and are quickly swept up in the tides of war. This film is part of a series of films by award-winning, well-respected director Zoltan Fabri who devoted much time and effort chronicling the struggle against fascism.
Writer
In Budapest in 1944; a watchmaker, a bookseller, and a carpenter are drinking in a bar with the owner when they are joined by a stranger. The watchmaker asks a hypothetical question that will change their lives.
Director
In Budapest in 1944; a watchmaker, a bookseller, and a carpenter are drinking in a bar with the owner when they are joined by a stranger. The watchmaker asks a hypothetical question that will change their lives.
Director
This lavishly spectacular film focuses on the character of Lorinc Parcen Nagy from the 1200-page Tibor Déry novel interwoven with numerous autobiographical elements. Lorinc Parcen Nagy is the offspring of an upper middle class family, whose life is marked by two violent deaths: the suicide of his father and the slaughter of an innocent worker. He breaks with his family and his mother in disgust; she is of weak character, a person who abandoned her own husband. He is also unable to discover the right tone with his colleagues and his lover who is an illegal party worker.
Screenplay
Baradla Géza, war criminal, returns after 25 years, with his ex-accomplice, Obrád Simon, to the village where he burned houses with people inside and executed partisans. The ex squad-leader is chased to this place by his "heroic deed" and the memory of his love. Like a maniac, he wants to forgive the village residents for having killed six of his soldiers.
Director
Baradla Géza, war criminal, returns after 25 years, with his ex-accomplice, Obrád Simon, to the village where he burned houses with people inside and executed partisans. The ex squad-leader is chased to this place by his "heroic deed" and the memory of his love. Like a maniac, he wants to forgive the village residents for having killed six of his soldiers.
Writer
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
Director
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
Screenplay
The Toth family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Comedy ensues when the Toths go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son the soldier.
Director
The Toth family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Comedy ensues when the Toths go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son the soldier.
Writer
In Budapest, two rival gangs of young boys lay claim to a vacant lot. The hostilities escalate yet never quite boil over into actual violence. Just when things do get out of hand, however, the problem is "solved" by the city government, which takes over the lot for future development.
Director
In Budapest, two rival gangs of young boys lay claim to a vacant lot. The hostilities escalate yet never quite boil over into actual violence. Just when things do get out of hand, however, the problem is "solved" by the city government, which takes over the lot for future development.
Edit, who became the wife of a politician out of a simple peasant girl, suddenly becomes a widow as a result of an accident. She never loved her husband. She lives a wealthy and lonely life amidst false friends, facing one of the last alternatives of her life, i.e. having to face her past in the hope of an independent new beginning.
Director
Kerekes (Antal Pager) believes he is wanted by the police when his friends play a practical joke in this unusual comedy drama. He returns to his hometown where he was accused of turning a Jewish druggist and the druggist's wife over to the Nazis. With his friends following him, Kerekes tries to find out what became of the couple after they were deported. After being subjected to a mock trial by his friends -- and found guilty -- Kerekes becomes despondent and attempts to kill himself. Flashbacks and hallucinations are employed to tell this story that occurs during the Eichmann trial. Both the film and Antal Pager gained some unwanted publicity when a Variety article from April 23rd, 1967 accused Pager of being a Nazi collaborator for his role in an anti-Semitic film during World War II.
Director
A crusading newspaper reporter covers the Soviet invasion of Hungary in 1956. Initially critical of the communists, the feature later espouses the virtues of the social changes implemented since the invasion. The title refers to the period of time the reporter spent interviewing witnesses to the invasion.
Production Design
In 1963 in Tihany, somebody addresses the writer Gábor Náday. He is reminded of a night drive in 1944 that saved his life. Painful memories start coming to Náday.
Writer
In 1963 in Tihany, somebody addresses the writer Gábor Náday. He is reminded of a night drive in 1944 that saved his life. Painful memories start coming to Náday.
Director
In 1963 in Tihany, somebody addresses the writer Gábor Náday. He is reminded of a night drive in 1944 that saved his life. Painful memories start coming to Náday.
Production Design
To celebrate Hitler's birthday, a soccer match is organized between the Germans and prisoners of war.
Writer
To celebrate Hitler's birthday, a soccer match is organized between the Germans and prisoners of war.
Director
To celebrate Hitler's birthday, a soccer match is organized between the Germans and prisoners of war.
Writer
This drama about a boorish non-conformist takes place in Hungary after the war and is dulled a little by political overtones but is still an engaging story. The setting is the countryside, where an independent, landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. One such ill-treated lass ends up marrying a young man who is in charge of a communal farm, a farm the womanizing "beast" of the title is later forced to join. The arrogant, formerly independent farmer does not reform his ways and is soon chasing after the young manager's wife, the woman he dropped not that long ago. The results are disastrous.
Director
This drama about a boorish non-conformist takes place in Hungary after the war and is dulled a little by political overtones but is still an engaging story. The setting is the countryside, where an independent, landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. One such ill-treated lass ends up marrying a young man who is in charge of a communal farm, a farm the womanizing "beast" of the title is later forced to join. The arrogant, formerly independent farmer does not reform his ways and is soon chasing after the young manager's wife, the woman he dropped not that long ago. The results are disastrous.
Production Design
The young maid, Anna starts to work for the noble Vizy family. Mrs Vizy is proud of the hard-working servant but doesnt treat her well. Her nephew seduces Anna with sweet words, but when leaves her as soon as she gets pregnant. The humiliations of Anna finally lead to a tragic ending.
Writer
The young maid, Anna starts to work for the noble Vizy family. Mrs Vizy is proud of the hard-working servant but doesnt treat her well. Her nephew seduces Anna with sweet words, but when leaves her as soon as she gets pregnant. The humiliations of Anna finally lead to a tragic ending.
Director
The young maid, Anna starts to work for the noble Vizy family. Mrs Vizy is proud of the hard-working servant but doesnt treat her well. Her nephew seduces Anna with sweet words, but when leaves her as soon as she gets pregnant. The humiliations of Anna finally lead to a tragic ending.
Production Design
The twenty-year-old Gida, having just survived his first amorous disappointment, falls for Katinka, the young widow, at first sight.
Director
The twenty-year-old Gida, having just survived his first amorous disappointment, falls for Katinka, the young widow, at first sight.
Writer
A school teacher becomes a momentary hero after having rescued a stuffed-bird from a school incident.
Director
A school teacher becomes a momentary hero after having rescued a stuffed-bird from a school incident.
Production Design
In a rural scenery in the throes of difficult changes lives a humble but promising young farmer girl called Mari Pataki. Her father forbids her from seeing the man she loves. The father, above all preoccupied by work on the fields and prospective wealth, decides to give his daughter in marriage to an old but rich man with whom he does business. Land marries land, he says. This seems to be the unyielding rule of the Hungarian peasantry. But the young lover is ready to stand up to any challenge to keep Maris love.
Writer
In a rural scenery in the throes of difficult changes lives a humble but promising young farmer girl called Mari Pataki. Her father forbids her from seeing the man she loves. The father, above all preoccupied by work on the fields and prospective wealth, decides to give his daughter in marriage to an old but rich man with whom he does business. Land marries land, he says. This seems to be the unyielding rule of the Hungarian peasantry. But the young lover is ready to stand up to any challenge to keep Maris love.
Director
In a rural scenery in the throes of difficult changes lives a humble but promising young farmer girl called Mari Pataki. Her father forbids her from seeing the man she loves. The father, above all preoccupied by work on the fields and prospective wealth, decides to give his daughter in marriage to an old but rich man with whom he does business. Land marries land, he says. This seems to be the unyielding rule of the Hungarian peasantry. But the young lover is ready to stand up to any challenge to keep Maris love.
Director
September 1952 in a mine in Northern-Hungary after an explosion water breaks in from the neighbouring shaft and fourteen miners become trapped. The whole country unites to save them.
Director
Vörös Hajnal (Red Dawn), a co-operative is the venue of skylarking, while the storm destroys the wheat which is to be harvested soon. Árendás, a middle-peasant, voices severe accusations against members of the co-operative: out of negligence, they failed to keep the ditches clean. It is always the soft option they seem to favour, while the necessity of properly taking care of the farmlands is long-forgotten. Members of the co-operative and the village people are deeply divided.
Production Design
Director
It deals with the alleged Western sabotage of Hungarian oil production.
Production Design
The story, which takes place in the reform era, centres around Mrs. Déry, a legendary actress, who, along with her fellow actors and actresses, travels around the country to become the herald of the Hungarian language, performing in villages and towns up and down the land as strolling players, a woman who is not put off by the prospect of starvation and the dearth of a home to return to and security to live in.