Krzysztof Penderecki

Penderecki's Opera of an entire convent, in the small French village of Loudun, apparently possessed by the devil.

An experimental short film shot on iPhone 7 Plus during the first year of the COVID-19 outbreak. The film depicts a young man's love for arts and his inability to coexist with his persona.

The story of a boy too angry with internal demons who decides to kill himself. On the path of this decision he ends up hitting new surroundings, others exist, which may, perhaps, change his mind.

Beth Gibbons (vocalist for acclaimed UK band Portishead) was formally invited to Poland in 2014 to sing soprano at Warsaw’s Grand Theatre. This performance forms the basis of the film and album titled Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.

Persephone combines an excerpt from Penderecki’s “Cello Concerto No 1” with a static image of a shivering cat, emerging from the shade.

A bridegroom is possessed by an unquiet spirit in the midst of his own wedding celebration, in this clever take on the Jewish legend of the dybbuk.

In the Renaissance castle of the Polish count - Jan Potocki - in Lancut, the modern traces of a past glory persevere and become visible again at the tones of Krzysztof Penderecki's music and Brothers Quay's imaginary animation.

In this video, with every minute, the artist's body becomes more and more machine, element of a perfectly working clock mechanism, it becomes ornament; to the extent that at some point a new “organism” emerges, with the many Anetas playing the role of head, hands, torso, legs.

A tribute to Martin Slivka, one of the most important personalities of Slovak cinematography and culture. He was the creator of Slovak documentary ethnographic film, director, screenwriter, dramaturgist, film theoretician, pedagogue, author and ethnograph, but mainly – exceptional person. This documentary is not only a remembrance of maestro Slivka through words of his close friends and colleagues, but also an attempt to slightly uncover the secret of his rich life and work.

第二次世界大戦中、ソ連の秘密警察によってポーランド軍将校が虐殺された「カティンの森事件」を、ポーランドの巨匠アンジェイ・ワイダ監督が映画化した問題作。長い間明らかにされてこなかった同事件の真相を、ソ連の捕虜となった将校たちと、彼らの帰還を待ちわびる家族たちの姿を通して描く。父親を事件で殺された過去を持つワイダ監督が歴史の闇に迫った本作は、第80回アカデミー賞外国語映画賞ノミネートをはじめ、世界各地の映画祭で高く評価された。

For decades the photographer Krzysztof Gierłatowski has portrayed eminent Polish figures, thus creating an invaluable visual testimony. This time his "victims" are well-known citizens of Kraków: Stanisław Lem, one of the most brilliant, versatile, and unapologetically cerebral science fiction writers, author of 'Solaris'; Krzysztof Penderecki, one of the most esteemed and widely discussed Polish composers of the 20th century; and Wisława Szymborska, Nobel laureate in Literature in 1996, one of the few women poets who has received the Swedish prize. Gierłatowski assumes the role of a modern Stańczyk, a legendary thinker-jester, prophesying on the historical Polish Republic in his dramatic conviction that History annihilated the intellectual elite of his nation and the future will bring awe and destruction.

Seen from the outside, it’s an old arch-windowed house overlooking a field isolated from the center of the village. But the rooms of this dark haven of demons hide unimaginable secrets. It was within those very four walls that an artist ordained to Lucifer killed himself with a razor blade in the winter of 1931. Many occultists maintain that his ghost still wanders like a shadowy agent of evil, desecrating the bodies of those who come too close to his hypnotic, diabolical allure...

A young sculptor has been preparing his first exhibition for years. In the autumn of 1962 it becomes a fact. The show provokes a scandal in the society.

As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.

Set in the early 1920s after the end of the Russian Civil War, Red Army soldier Nikita returns to his hometown to see his partner Lyuba, both of whom are scarred by the trauma of the Russian Empire of yesteryear.

The life and thoughts of Juan Manuel Espada, keeper in charge of the morgue sited at the Medicine University of Valencia.

This opera revolves around the demonic collective possession suffered by the Ursuline nuns in the convent of Loudun in 1634. The story concentrates on the handsome but doomed Urbain Grandier who fights against fanaticism and evil.

This opera revolves around the demonic collective possession suffered by the Ursuline nuns in the convent of Loudun in 1634. The story concentrates on the handsome but doomed Urbain Grandier who fights against fanaticism and evil.

The harsh life of a troubled young man provides the basis of this grim French tragedy that begins when the fellow stops into a shop to buy a pack of the title cigarettes. There he meets a pretty shop girl with whom he falls in love and eventually marries. It was a foolish choice, for the two cannot get along and constantly fight. Things get worse when the husband resumes his criminal activities and gets caught. The two are about to divorce when the woman gets pregnant. The time comes for their baby to be born and while sitting in the waiting room, the husband reflects upon his past activities, which are revealed via flashback.

A biographical documentary about Krzysztof Penderecki

Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction in the experiment causes the man to experience moments from his past in a random order.

A father searches for his son, who has been missing since WW II, in post-war Poland. In his quest for the truth about his son, the father is forced to contemplate the elusive and coded nature of truth itself.

A swarm of locusts teases a herd of horses. A four-wheeled vehicle drives into the herd. It pulls behind its riders, the horses, and the insects. The gallop is more and more dynamic, gravediggers prepare coffins for crazy drivers.

Documentary illustrating the classic principles of Byzantine iconography on the examples of sixteen icons from a museum of ancient Greek art.

A film about Slovak icons painted in the period of the late 15th to the early 19th centuries, when original Byzantine icon was ending in Slovak folk art.

Upon finding a book that relates his grandfather's story, an officer ventures through Spain meeting a wide array of characters, most of whom have a story of their own to tell.

An abstract short that shows the process of honey production.

The adventures of a classic "podrywacz" character known from Molière's drama and Byron's poem, who has not lost popularity until today. All this is shown with a pinch of salt, in a grotesque form of a cut-out film, reminiscent of the comic book editions of "Trzy Muszkieterów".

An anti-alcohol poster full of bitterness. Artistic compositions made of bottles and alcohol labels tell the story of drinking alcohol – it starts from drinking alcohol as a young person and ends with the death on the operating table.

Animated short film written by Stanislaw Lem.

Animated short film written by Stanislaw Lem.

A story illustrating the legend of Bazyliszek who mischief among tenement houses in Warsaw's Old Town.

Bulandra the miner explores the underground and wins gold from its inhabitant, an old spirit. Little does he know that the Devil will cause mischief to him once he gets out.