Dace Eversa

A runaway bride, a young peasant, mysterious illusionists and a manic investigator become entwined in a murderous affair at a Baltic German baron's manor.

Elīna returns to the summer house of her childhood to show it to buyers. The visceral presence of her dead grandmother forces her to reflect on the legacy of failing familial relations – and how she and her mother are approaching a similar fate.

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, Markuss decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. Forced to work the boy begins to harbor hatred towards the others in the village. The only person the boy can relate to is an old Sailor living in the nearby woods. They inspire one another and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

A young woman on a train. The same young woman in an old house peeling potatoes, or hanging the laundry out to dry. She's alone but not for long. Potential buyers infiltrate the peace and serenity that surround both the house and the protagonist. The images tell the story and with the little information we get, we know just enough.

Imants is a security guard at a small town store. He is always nice, honest and truthful and would not let anything happen to the store and to the people that are working there, until one night when his honesty and truthfulness are set to a test. He has been given a choice – stay and be dishonest with himself or leave and open has hart to love. The choice seems easy, but it takes some courage to step out of a place where you have been for ages.

A brother and a sister come to visit their grandmother in the countryside to attend their father's funeral. It takes just a few days of being in the middle of nowhere for things to get out of control.

Peter is just another "peter", so very ordinary. He works in an office where colleagues make fun of him and the boss makes sexual advances. His sick mother harasses him at home. Bit by bit his life becomes completely unbearable. Once, by chance, Peter happens to try magic mushrooms and this adventure turns into a move towards a different life.

Throughout her life Marga has shown little feeling for her daughter Sofia. But now she reveals fear, wounds and a deep longing for her long-deceased husband Juris. She becomes increasingly lost in her forgetfulness and suddenly demands, like a child, gentleness. It’s an uncomfortable situation for Sofia who must now take care of her mother. Sofia’s growing realization that Marga’s past also affects her own gives Sofia impetus to make a sudden journey with her mother to Riga. This is where Marga grew up and where she married Juris. But the more Sofia learns about her mothers, the less clear it becomes who she herself is.

Latvia is governed by a strange ruler with a pig’s snout who calls himself Mr. Snout. Loath to being filmed himself and to filmmaking in general, he has locked up all positive heroes in an effort to prevent filming from taking place. The few survivors hope for the return of the Latvian folk hero Bear-slayer, who vanished into the river many centuries ago. In these harsh times, Bear-slayer rises from the water again to fight Mr. Snout. This film is a criticism of how the inaction of the Latvian government has brought Latvian filmmaking close to extinction.

Peter is just another peter, so very ordinary. He works at the office where colleagues make fun of him, the boss makes sexual advances and the sick mother harasses him at home. Step by step his life becomes completely unbearable. Once by a chance Peter happens to try magic mushrooms and this adventure turns into new move towards a different life.

In the cemetery of small town, a Man and a Woman, both middle-aged, meet at sunset. He has a ter- rible plan of how to battle with cemetery vandals, but she is suspicious of his real purpose

Ziemmassvetku Jampadracis tells the story of the Cirulisi, a tight-knit family down on their luck, and their trials and tribulations during the Christmas season.

A homage to Krišjānis Barons and his life's work – to collect and catalogue Latvian folksongs or dainas,thus creating the encyclopaedia of Latvian life, a poetic reflection of the knowledge of life accumulated over the centuries. The film is based on Krišjānis Barons' life during late 1800s and early 1900s – his childhood and youth in Latvia, studies and work in St. Petersburg and other places in Russia, his relationship with his faithful wife Dārta, and the awakening of the Latvian self-awareness.

After twelve years in the city Jānis returns to the country and marries his first love - now a widow with three children - Aija. But the happiness is not meant to be because the husband and the wife share different views of life and, ultimately, can't work out their relationships.

One of the iconic Latvian movies. Based on Astrid Lindgren's book 'Emil of Lönneberga'. A story of a little boy, Emil, who, according to others is incredibly naughty, but actually Emil is a lot more kind hearted than all the rest. And everything he does is to help someone. But somehow it all the time turns out like a prank. His family won't agree with any pranks on themselves, so there goes Emil in his father's tool shed, where he's locked up for every prank. Includes the phrase - 'the main idea is to keep your feet warm', which has been adapted in Latvian culture, so it's already a saying.