Pécsi Ildikó

Gréti, a German shepherd, searches for her missing puppy.

When hunting, Zrínyi Miklós finds an Angel with a broken wing. He takes him for a heavenly message and carries him to his castle for cure. Lords and priests come to Zrínyi's court, one after the other, to see Angel. The occasion is appropriate for the ban to win them over to his plan: they should unite their forces to fight for the country's independence.

A story of a family that after WWII moved to the south of Slovakia and acquired a prosperous butcher business left behind by a Hungarian emigrant. From the previous owner, the family also inherited a self-assured, greedy assistant who does not like to observe any firm moral principles. He assists the family in gaining wealth but in the long run, he causes the family's moral dissolution. In his most successful feature film, director Zoro Záhon combined a complex drama with excellent acting performances, especially that of Hungarian actor Gábor Koncz in the lead role.

Satire from the makers of hungarian classic Love (1971): director Károly Makk and writer Tibor Déry. Made for TV.

"Ripacsok" is a great movie with great soundtrack, acting, cinematography, direction, etc. The world of "artists", hamming actors, good clowns and bad clowns... A unique movie in many ways. Pál Sándor is a very good hungarian director, watch his movies (especially the slightly better "Régi idõk focija") if you have the chance.

The romantic story takes place in the time of Napoleon in Hungary, near Fertő-lake. Count Vavel hides here the French heiress from the revolution and Napoleon.

The story of Bendegúz, the teenage boy who never succeeds in anything and about whom everybody's first though is "I wish you had been hanged when you were born!" drops out of school and becomes a cowboy. He works for the Stationmaster whose cows he has to graze by the railway. Despite his goodwill and kindheartedness he always manages to spoil everything he touches. No matter his wit, he gets into humiliating situations and regularly fights with the Ugly Witch (the Stationmaster's mother-in-law). However his good spirit and cheerfulness never leave him.

Hungary in the 1930s. The world suddenly changes around the peaceful office-clerk and regular, average petit-burgeois Kornél Cassius. Friends and relatives turn up in his home, who soon establish themselves there and even take the upper hand. They continue to arrive in increasing numbers, and turn the well-known objects and patterns of relationships upside down.

The subject-matter of this comedy is age-old: that of the schizophrenic soul. Papa would have liked boy twins years ago, but her wife gave birth to a single child weighing six kilograms. He would like to dampen his feeling of emptiness by having the boy registered both as Péter and Pál.

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.

The film condenses the awkwardness of country and functionary existence, consumer thinking based on paternalistic relationships into the sequence of events of 20 August, the feast of the Hungarian new loaf with sentimental irony and documentary credibility. A railwayman's family on the Balaton highlands expects the Budapest relative with his functionary boss and family.

In Budapest in 1944; a watchmaker, a bookseller, and a carpenter are drinking in a bar with the owner when they are joined by a stranger. The watchmaker asks a hypothetical question that will change their lives.

Kicsi Dániel, the young virtuoso pianist gets a separate apartment in the ten-storey block of flats. He rehearses all the time, irregularly, day and night, disturbing thus the peace of the dwellers in the thin-walled house. Inquisition begins in the name of equal rights for inhabitants.

This satire on film depicts the micro-climate of a technical vocational school newly established at a housing estate. The construction vocational school holds a name-giving ceremony, thus calling the attention of its supervisory organ to itself. The school-master distributes as well as receives presents from the sponsoring factory, and the pupils sit for a written examination of unheard-of material. The results are devastating, which the despotic school-master attempts to conceal by a staged disciplinary procedure.

Baradla Géza, war criminal, returns after 25 years, with his ex-accomplice, Obrád Simon, to the village where he burned houses with people inside and executed partisans. The ex squad-leader is chased to this place by his "heroic deed" and the memory of his love. Like a maniac, he wants to forgive the village residents for having killed six of his soldiers.

The two main characters of this ironic account of the general condition of intellectuals are the charming psychologist, Korin György, and the unexpected. Korin starts a television series of people in their 40s. In the afternoon just after the first section, however, he is reported to be dead as a result of a rather strange accident. Everything turns upside down.

A man changes his behavior according to the term of the year.

Torday Géza, a new engineer arrives at the ammunition factory disguised as if manufacturing camping gears. His appearance upsets existing patterns. The director sells the products at a low price in the West. In the meantime diversionaries attempt to destroy the plant. It turns out that Torday is a man of the intelligence built in among the reconnaissance people, as is his childhood lover, Magda. Agents and policemen play the game.

The chroniclers are diligently scribbling the history of life and deeds of the virtuous and wise King Matthias, who, in the meantime, sneaks out of the palace in disguise. Instead of attending a boring reception of the imperial deputies and papal legates, he pays his address to three pretty women from Szelistye.

A country family unbounds by the death of the head of family and they set off for a miners' town under construction, just like their forefathers, "to take the land". As an outpost, the eldest daughter, Anna is sent, who has a stormy past.

On the crowded train, the workers entertain each other by telling stories.

Gráci has been recently released from a reformatory school. His old gang would like to involve him in a new action, but he hesitates. His past record is bad enough already, and he would not like to get into new trouble.