Executive Producer
Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy.
Director
This short was filmed entirely on the Galaxy S21 Ultra 5G.
Screenplay
Enslaved in a surreal world of living objects, a lamb cutlet does whatever it takes to make ends meet.
Executive Producer
A single mother and her young son discover a group of dirty and underfed children living in a mansion's attic. Upon saving them and returning them to their families, she has unknowingly snatched these children from their adopted mother - Wewe Gombel - and must now beware her vengeful wrath.
Himself
From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.
Executive Producer
A mother tries to appease the moods and demands of her borderline psychopathic son. When a new girl comes to town, her son falls quickly and deeply for the new girl and is determined to win her over possibly even against her will. When things take a tragic turn, his mother will stop at nothing to make her son happy even if it means finding a bride to join him in the afterlife.
Executive Producer
A journalist meets with Pob, a Thai ghost, who confesses to a murder. Finally finding an outlet for complaint, Pob explains how the murder happened and requests for his story to be published. However, the journalist declines and the two make a deal of a lifetime.
Writer
A Pontianak, the vengeful spirit of a woman who died during childbirth, is awakened when a foreman and a construction worker attempt to bury the body of a dead girl instead of burning her. A series of unfortunate events begin to occur at the construction site.
Director
A Pontianak, the vengeful spirit of a woman who died during childbirth, is awakened when a foreman and a construction worker attempt to bury the body of a dead girl instead of burning her. A series of unfortunate events begin to occur at the construction site.
Executive Producer
Betrayed by the Dutch colonial forces, Arana manages to escape along with his nephews Jamar and Suwo, the newborn sons of Hamza, one of the last Indonesian sultans fighting against foreign tyranny. In 1860, after wandering for years on the plains of the American Wild West, Arana and the two brothers return to Indonesia to avenge their dead loved ones and punish the evil man who caused their misfortune.
Director
真人（斎藤工）の父はラーメン屋で働いていたが、ある日突然亡くなる。ぼうぜんとする真人は、10歳のときに他界したシンガポール人の母親がレシピや当時の写真を貼ったノートを見つける。それを眺めているうちに、真人は幼少期に住んでいたシンガポールで自分をかわいがってくれた母方の家族のことを思い出し、彼らと再会しようとシンガポールに行くことを決意する。現地に住む日本人フードブロガーの美樹（松田聖子）の助けを借りて、肉骨茶（バクテー）の店を営む叔父と会う。
Director
As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.
Executive Producer
When ambitious young correctional officer Aiman is transferred to the country's highest-security prison, he catches the attention of the seasoned chief executioner Rahim. Aiman's desire to become the hangman's apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him.
Director
Chun Feng Koh, a middle-aged food critic whose career is starting to wear him out, decides to explore his life and the development of Singapore through the local food.
Director
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
Director
An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.
Southeast Asia Cinema - When the rooster crows is a voice of diversity reaching for change. Brillante Mendoza, Eric Khoo, Garin Nugroho, Pen Ek Ratanaruang give voice to a region rich with traditions, ethnic groups, languages, politics, and religions. It is cinema, at its purest form, fighting for freedom of expression, documenting real lives of ordinary people, giving voice to the underdogs and the outcasts. The amalgamation of these aspects gives birth to an ultra-neo-realistic cinema language currently unique to films from this region.
Director
Eric Khoo's tv-movie about the relationship between a young girl and her mother with dementia.
Producer
Struggling to come to terms with the death of her mother, Kim suddenly has to deal with a new mother in her life. Choon, Kim's father, brings home a woman one day and announces his decision to marry her. A series of mysterious and terrifying incidents start to occur at the family home after their return. Could it be the jealous spirit of Choon's dead wife that has come back to show her displeasure at being replaced? Or is there something more sinister? What unravels is a tale of unspeakable evil that threatens to destroy the family. What deep, dark secret is Na, Choon's new wife, hiding from them? Can Kim help save her family from complete destruction?
Director
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Executive Producer
鬱そうとした島にある軍事訓練所。ある日、1人の新兵が遺体で発見される。心霊現象の恐怖が語り継がれる兵舎の中で、兵士たちの精神は追い詰められていく。
Producer
Animated film based on the life and stories of Manga writer Yoshihiro Tatsumi who revolutionised the art form with darker, more adult stories. The film animates several of his stories.
Director
Animated film based on the life and stories of Manga writer Yoshihiro Tatsumi who revolutionised the art form with darker, more adult stories. The film animates several of his stories.
Executive Producer
En is an 18-year-old who has lost his father to cancer. As his family is drawn together in a sudden tragedy, he has to decide what he believes in. But in a country where ideologies are forged on constantly shifting sands, he struggles to stay true to what he knows to be right. And in a family that prefers to forget, the sandcastles of all he holds dear seem doomed to be washed away by the tides of time.
Executive Producer
Six friends are captured and tortured by a murderous family after giving a ride home to a desperate stranger.
Executive Producer
A brash, irreverent and poetically playful collage of stories about people in Singapore who run away and disappear forever. Two children run away from home and discover an ancient underground network of monsoon drains, tunnels and caves. An army officer obsessed with order and discipline realises that life isnít so black and white. A painfully shy man reluctantly saves his neighbour and experiences a spiritual awakening. Concocted from a heady mix of realism and poetic fantasy, Invisible Children is sometimes funny, sometimes poignant, but always thought-provoking.
Screenplay
A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.
Director
A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.
Cinematography
A profile of Toh Hai Leong, the director of the Singaporean mockumentary Zombie Dogs, and his battle with Type 2 diabetes.
Self
A profile of Toh Hai Leong, the director of the Singaporean mockumentary Zombie Dogs, and his battle with Type 2 diabetes.
Director
In conjunction with the 2nd anniversary of the Day Offcampaign, UNIFEM Film Series is proud to present No Day Off (2006) by Eric Khoo, a 45-minute short film chronicling four years in the life of Siti, a domestic worker in Singapore.
Each year, thousands of women like Siti uproot themselves from their homes and families in impoverished villages in Java and Sumatra. They head for Singapore where they live the life of a foreign domestic worker, scrubbing, cooking and looking after children, the sick and the elderly. Their wages go towards making life more comfortable and less bleak for their own families back home.
Writer
This program features three digital short films by Asian filmmakers. Singapore veteran filmmaker Eric Khoo's NO DAY OFF (39 min) records the life of a maid who leaves her husband and baby for Singapore. Darezhan Omirbayev's ABOUT LOVE (38 min) is a bitter love story based on Anton Chekhov's novel, in which a lonely math teacher falls in love with her married university classmate. Pen-ek Ratanaruang's TWELVE TWENTY (30 min) depicts the encounters of a man and a woman on a long haul flight, where they spend the next twelve hours and twenty minutes reading, drinking, eating and watching movies and sleeping by each other's side, as if they are a married couple.
Director
This program features three digital short films by Asian filmmakers. Singapore veteran filmmaker Eric Khoo's NO DAY OFF (39 min) records the life of a maid who leaves her husband and baby for Singapore. Darezhan Omirbayev's ABOUT LOVE (38 min) is a bitter love story based on Anton Chekhov's novel, in which a lonely math teacher falls in love with her married university classmate. Pen-ek Ratanaruang's TWELVE TWENTY (30 min) depicts the encounters of a man and a woman on a long haul flight, where they spend the next twelve hours and twenty minutes reading, drinking, eating and watching movies and sleeping by each other's side, as if they are a married couple.
Screenplay
"Be with Me" consists of three stories of love vs. solitude: (1) An aging, lonesome shopkeeper doesn't believe in life any more since his wife died. But he is saved from desperation by reading an autobiographical book and meeting its author, a deaf and blind lady of his own age. (2) Fatty, a security guard in his fifties, lives for two things: good food and love for a pretty executive living in his block of flats. But, if it is easy to satisfy his first need winning the heart of the distant belle is a horse of another color. (3) Two teenage schoolgirls get to know each other on the Internet. Soon they fall in love.
Director
"Be with Me" consists of three stories of love vs. solitude: (1) An aging, lonesome shopkeeper doesn't believe in life any more since his wife died. But he is saved from desperation by reading an autobiographical book and meeting its author, a deaf and blind lady of his own age. (2) Fatty, a security guard in his fifties, lives for two things: good food and love for a pretty executive living in his block of flats. But, if it is easy to satisfy his first need winning the heart of the distant belle is a horse of another color. (3) Two teenage schoolgirls get to know each other on the Internet. Soon they fall in love.
Producer
A strange film that comprises as much fiction as documentary and actually transcends the genre of the mockumentary, the fake documentary. Its maker Toh Hai Leong (in reality primarily a critic) more or less plays himself as a cult film maker looking for actors for a snuff film. He rattles off monologues about film and all kinds of things. He lives like a hermit in a grubby apartment with his elder brother. They criticise the material and sterile life of Singapore, but do not really make their scruffy alternative very attractive. You could suspect a skilled actor was behind the figure of Toh Hai Leong, but local connoisseurs point out that in reality, he is no different. A confusing supporting role - confusing because of its authenticity - played by Lim Poh Huat, the extra who also performs in the short film in this programme. (GjZ)
Producer
Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.
Director
A group of underdogs form an amateur football team to play in a local league. The prize for the winners: a trip to the 2002 World Cup Finals. The team include a common man's hero who raises his two children single-handedly after his wife passes away, an ex-con with major anger management problems, a lounge singer struggling against his deadly nemesis - the karaoke machine, and a tender but tough tomboy. The story is built around the team struggle against the odds from no-hopers to title contenders. Through the game of football, the team learns not just sportsmanship, but life lessons that help them to mature as individuals, and ultimately, help each other to become better human beings.
Screenplay
A group of underdogs form an amateur football team to play in a local league. The prize for the winners: a trip to the 2002 World Cup Finals. The team include a common man's hero who raises his two children single-handedly after his wife passes away, an ex-con with major anger management problems, a lounge singer struggling against his deadly nemesis - the karaoke machine, and a tender but tough tomboy. The story is built around the team struggle against the odds from no-hopers to title contenders. Through the game of football, the team learns not just sportsmanship, but life lessons that help them to mature as individuals, and ultimately, help each other to become better human beings.
Executive Producer
A group of underdogs form an amateur football team to play in a local league. The prize for the winners: a trip to the 2002 World Cup Finals. The team include a common man's hero who raises his two children single-handedly after his wife passes away, an ex-con with major anger management problems, a lounge singer struggling against his deadly nemesis - the karaoke machine, and a tender but tough tomboy. The story is built around the team struggle against the odds from no-hopers to title contenders. Through the game of football, the team learns not just sportsmanship, but life lessons that help them to mature as individuals, and ultimately, help each other to become better human beings.
Executive Producer
Liang Po Po: The Movie is a Singaporean film directed by Jack Neo in 1999. It stars the comedian director Jack Neo himself, who cross-dresses as the titular old lady, which in English is translated as "Granny Neo". Liang Po Po, a lovable 85 year old granny, decides to leave the Old Folks Home in search of a new life. Believing that she can still contribute to the good of the society, the determined old lady sets on a path where she soon realizes how her trusting and naïve nature can be used against her.
Writer
The film depicts 24 hours in a HDB block of residential flats in Singapore. There are three main storylines. San San, fat, silent, and alone, hears the ghost of her mother constantly upbraid her. Ah Gu, a tofu soup vendor, is at odds with Lily, his materialistic immigrant wife, who longs for something he cannot provide. Meng spouts every moralistic bromide of the striving middle class, but is unhinged by his teenage sister May ("Trixie" to her boyfriend) who won't study, parties all night, and seems doomed by youth culture.
Director
The film depicts 24 hours in a HDB block of residential flats in Singapore. There are three main storylines. San San, fat, silent, and alone, hears the ghost of her mother constantly upbraid her. Ah Gu, a tofu soup vendor, is at odds with Lily, his materialistic immigrant wife, who longs for something he cannot provide. Meng spouts every moralistic bromide of the striving middle class, but is unhinged by his teenage sister May ("Trixie" to her boyfriend) who won't study, parties all night, and seems doomed by youth culture.
Director
A painfully shy noodle-shop owner and a prostitute have a chance encounter when destiny arrives in the form of a car accident.
Sound
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
Editor
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
Cinematography
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
Producer
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
Writer
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
Director
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
