Jalil Naciri

Coralie runs away from Switzerland. She arrives in Paris to take her chance into Hip Hop music. She’s hired as a cook in a local association in the parisian suburb of Saint-Denis. Coralie meets Issa, the rising star of the hood…

かつてCIA工作員として政府の影の仕事を行っていたブライアンだが、退職し今はアメリカで危険の無い仕事をしながら離婚した妻との間にできた愛娘キムに会ったりして日々を平和に過ごしていた。 ある日キムは友人と二人だけでパリ旅行をしたいとブライアンにせがむ。子供達だけで危険な海外旅行に行く事は当然許しがたい事であったが、悲しむキムについつい旅行を許してしまう。 パリについたキムたちは、空港で外国旅行者を狙う犯罪グループに目をつけらていたのだった。宿泊先で父と電話中だったキムは友人が大胆にも室内で誘拐される様を目撃してしまう。 父の咄嗟の指示により犯行一味の手がかりを話ながらキムも無情に連れ去られてしまう。取り残された携帯電話に犯人が出た気配に気付き、ブライアンは呼びかける。 「私には長年にわたって培った特殊なスキルがある。娘を返せ。さもなければお前を探し出し、殺す」 犯人は電話を切るがそこから得られた本当に僅かな手がかりを辿ってブライアンの娘を取り戻す孤独な強行作戦が始まる。

After the death of his musician wife, Franck, a septuagenarian hellenist, feels lost. His friend Max, a womanizer, and his daughter Sabine successively welcome him to their home, but it is his meeting with Suzanne that will give him a taste for life. She is not of his world, nor of his age, but she will be his last love.

ミュンヘン・オリンピックの最中、イスラエル選手団が何者かに襲われた。イスラエル側はテロリストの犯行とみなし、復讐を計画する。暗殺チームのリーダーに任命されたアヴナーは、11人の標的を次々に消していくが……。＜スティーヴン・スピルバーグ監督が、1972年のミュンヘン・オリンピックで実際に起きた事件の真相を、事件に関わった人々のコメントや、史実に基づいて映画化した衝撃の問題作。主演にエリック・バナやダニエル・クレイグら実力派俳優が名を連ねるほか、製作陣にはピューリツァー賞やオスカー受賞者などが顔を揃え、作品の質を高めている。国家への忠誠心や家族への愛を描きつつ、世界平和の真意を問うストーリー展開が見事。＞

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

This movie portrays three women living in today's Algeria between modern society and Islamic fundamentalism, self-determination and dependence. Goucem, a young woman who works for a photographer and mistress of a rich doctor, her mother Papicha, a former cabaret star, and her best friend Fifi, a prostitute, all live in a hotel in the city center of Algiers. Their difficult personal situation and the growing influence of Islam lead to dramatic consequences...

Investigating judge at the 3rd Criminal Chamber of Marseille, Françoise Larchey is the wife of Jean-Pierre Larchey, a famous architect of the Coast. The couple has a son, Valentin, seventeen years old... The death of Edith Mesniel, a local political figure, puts the town in turmoil. But when Emilie, Edith's only daughter and Valentin's girlfriend, confides to Françoise that her mother's death was not accidental, Madame le Juge decides to look into the case. By attacking this case, Françoise disturbs many people. She receives death threats, her son and Emilie are also threatened but she refuses to give up. And she discovers little by little that the mafia infiltrated in all the country.

En Attendant la Neige is a parody of violence. Paco Sanchez and Dede Gallice are childhood friends who share a passion for karate. When forced to face Dede in a decisive match, Paco refuses to fight his best friend. Dede becomes the champion by default, but he cannot get over the bitterness of this inglorious victory. Paco moves on with his life. Unjustly accused of a robbery and chased by his employer, Dede unwillingly drags his wife Claire and Paco into a frantic nocturnal escape through Paris. Emotions culminate during an apocalyptic game where imagination and reality blend. The film tries to reflect certain social questions of our time using common images.

Franck shows up in a gossip magazine photo behind a brawling TV star at a football match.

Hexagone, shot in the Parisian suburb of Goussainville, documents the life of a working-class banlieue through a fragmented, episodic narrative which interweaves the lives of a variety of characters, principally drawn from the Maghrebi community.