Lesli Klainberg

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

This documentary on the elusive director Alan Smithee was first shown on the American Movie Classics (AMC) cable channel. We learn where the name came from and why the Directors Guild of America (DGA) first allowed his name to be used on Richard Widmark's western Death of a Gunfighter. The film follows the numerous problems that director Tony Kaye had during the production and post-production of the film American History X and why the DGA refused to allow Alan Smithee to be credited for that film.

This documentary on the elusive director Alan Smithee was first shown on the American Movie Classics (AMC) cable channel. We learn where the name came from and why the Directors Guild of America (DGA) first allowed his name to be used on Richard Widmark's western Death of a Gunfighter. The film follows the numerous problems that director Tony Kaye had during the production and post-production of the film American History X and why the DGA refused to allow Alan Smithee to be credited for that film.

Tracking the country’s oldest beauty contest—from its inception in 1921 as a local seaside pageant to its heyday as one of the country’s most popular events—Miss America paints a vivid picture of an institution that has come to reveal much about a changing nation. The pageant is about commercialism and sexual politics, about big business and small towns. But beyond the symbolism lies a human story—at once moving, inspiring, infuriating, funny, and poignant. Combining rare archival footage, with a host of intimate interviews with distinguished commentators including Gloria Steinem, Margaret Cho, Isaac Mizrahi, former contestants and behind–the–scenes footage and photographs, the film reveals why some women took part in the fledgling event and why others briefly rejected it - how the pageant became a battle ground and a barometer for the changing position of women in society.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the last of the six films, "The American Tapestry," filmmaker Gregory Nava takes viewers on an uplifting and challenging journey through the memoirs of five immigrant families, each one on a quest for its own American Dream. Beautifully interweaving accounts from several generations, Nava composes an astonishing tapestry of personal triumphs and tragedies, as each story of courage unfolds. The American Dream is an elusive thing, and the lives of the people in Nava's film are both triumphant and tragic, teeming with optimism and sometimes despair. They expose the finest and worst in America as well as what we feel most magnificent and dreadful. They are part of the many contrasting threads that make up the American tapestry — a complex portrait of a nation at the turn of the millennium.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the last of the six films, "The American Tapestry," filmmaker Gregory Nava takes viewers on an uplifting and challenging journey through the memoirs of five immigrant families, each one on a quest for its own American Dream. Beautifully interweaving accounts from several generations, Nava composes an astonishing tapestry of personal triumphs and tragedies, as each story of courage unfolds. The American Dream is an elusive thing, and the lives of the people in Nava's film are both triumphant and tragic, teeming with optimism and sometimes despair. They expose the finest and worst in America as well as what we feel most magnificent and dreadful. They are part of the many contrasting threads that make up the American tapestry — a complex portrait of a nation at the turn of the millennium.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the fifth of the six films, "Funny Is Money," filmmaker Norman Jewison delves into the topic of comedy, using the hype surrounding the finale of the wildly successful NBC series "Seinfeld" as his launchpad to explore how the artform has evolved over the past 100 years.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the fourth of the six films, "The Pursuit of Happiness," filmmaker Robert Zemeckis delves into the history of America's relationship with mind-altering substances over the past 100 years, presenting interviews with historians and professionals in the drug treatment field, interspersed with a treasure trove of film and television clips depicting the highs and lows of smoking, drinking and drugging in the 20th century

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the second of the six films, "From Behind Closed Doors," filmmaker Robert Townsend delves into America's fraught relationship with sex and sexuality, using New York's Times Square as the focal point as he traces 100 years of sexual mores and practices.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the first of the six films, "In Search of the Happy Ending," filmmaker Garry Marshall delves into the institution of marriage as it has evolved in America throughout the past 100 years.

BEAUTY IN A JAR explores the social, racial, sexual and political history of the American beauty culture. How was the American ideal of beauty transformed over time? How does advertising tap into women's fantasies and hidden desires?