Law Yim-Hing

London special agents Wong Tak-fat and Fong Lung have arrived in Hong Kong to investigate a murder in connection with a drugs trafficking ring. Fong attends a ball hosted by his girlfriend's rich father Sze Kam-wing where evidences lead him to the Black Eye Bar. Wong befriends the recently widowed bar owner Lee Mei-chen and soon becomes enlisted as member of the ring and the ring leader's trusted aide. Falling in love with Lee, Wong is told that her husband was killed for leaving the organisation. Wong is however unable to establish contact with Fong with all outside communication cut off. Anxious to hear from Wong, Fong investigates discreetly at the bar. Mistaken for a cop, Fong is captured but helped to flee by Lee. Alarmed by Fong's escape and the leak of Wong's identity, ring members are just about to execute Wong and Lee just when the police raid the drugs den and arrest the ringleader—Sze.

Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures. The composited special effects in the film are fascinating: the horizontal ancient well, the giant hand controlled by electricity, the grand palace and the incredible mountain ranges embellish an Aladdin-like story. After its first run in cinemas, this film enjoyed popular second runs, matinees and numerous screenings on television, entertaining many generations of Hongkongers.

Hong Kong horror.

Adaptation of a Chinese opera.

The Ten Brothers return as the Lake Devil is plagued by a monster fish. To settle the old score, Marshal asks Shrimpy and his ten sons to exterminate the fish. Excelled on land, the ten brothers find themselves quite useless in the water.

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

The late Ming court is a corrupt regime. Lin Ngai-sheung, nicknamed the 'Jade Killer', inherits the swordplay book of Tianshan and becomes a bandit of the people to rob from the rich. Her feud with Wudang Sect's Cheuk Yat-hong rooted from the time she held up a corrupt official. Cheuk, instigated by others, sees Lin as his enemy. However, Lin slowly falls for him. When Cheuk learns the truth, he helps Lin to defeat her enemies.

Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.

Vagabond singer Ali is embroiled in a dispute over love and is compelled to return to his own country. Ali is mistaken for the future queen's consort and chances to meet her majesty Law Yee. Law falls head over heels for Ali and they get married not long after. However, Ali finds royal formalities unbearable and decides to run away from the palace. Disregarding all rules, Law follows her man to wherever he goes.

Club 99 is not just a hideout for triad gangsters, but also a haven for smuggling jewelleries from robbery. When detective Law is investigating a jewellery heist, he is ambushed by the men from Dog Stone (Sek Yin-tsi) who is the owner of Club 99. Then, Law's daughter Fong (Law Yim-hing) helps her father to be undercover and disguises herself as a dancer in the club and gambler Lung (Lam Kau) is also an informant for the police force. While Dog Stone is cunning enough to discover their identities, there are in fact more undercover agents in the club...Influenced by Hollywood's semi-documentary style, the film has a detailed yet complex portrayal of human nature－undercover anxieties, domineering gangsters and moral ambiguity. With its realistic chasing and action sequences, the film is nonetheless a very entertaining piece of cinema.

Club 99 is not just a hideout for triad gangsters, but also a haven for smuggling jewelleries from robbery. When detective Law is investigating a jewellery heist, he is ambushed by the men from Dog Stone (Sek Yin-tsi) who is the owner of Club 99. Then, Law's daughter Fong (Law Yim-hing) helps her father to be undercover and disguises herself as a dancer in the club and gambler Lung (Lam Kau) is also an informant for the police force. While Dog Stone is cunning enough to discover their identities, there are in fact more undercover agents in the club...Influenced by Hollywood's semi-documentary style, the film has a detailed yet complex portrayal of human nature－undercover anxieties, domineering gangsters and moral ambiguity. With its realistic chasing and action sequences, the film is nonetheless a very entertaining piece of cinema.

It is a simple story with a deep meaning. When the beautiful chanteuse Hung (Law Yim-hing) is forced to marry Commander Lau (Lau Hark-suen), her brother (Cheng Wai-sum) interferes but is brutally beaten to death. Hung also falls to her death when she tries to escape. The siblings are only hastily buried in a coffin home, which is haunted soon afterwards. Hung's lover Wong (Wong Chiu-mo) later sneaks into the haunted house hoping to see her for one last time; Lau, meanwhile, insists on inspecting the coffin home and the corpses to prove that ghosts do not exist…The film creates an eerie and uncanny atmosphere with its well-designed camera angles, sound and editing. The haunting looks of the two ghost characters are a nod to Hong Kong's typically told horror stories.

Comedy from Hong Kong directed by Chow Sze-Luk.

Comedy from Hong Kong directed by Fung Chi-Kong.

Comedy from Hong Kong directed by Chiang Wai-Kwong.

Chinese Opera comedy from Hong Kong directed by Yeung Kung-Leung.

Comedy from Hong Kong directed by Yeung Kung-Leung.

Martial Arts film from Hong Kong directed by Yeung Kung-Leung