Frank Prinzi

参加作品

ザ・ヴィルトゥオーソ
Director of Photography
A lonesome stranger with nerves of steel must track down and kill a rogue hitman to satisfy an outstanding debt. But the only information he's been given is a time and location where to find his quarry. No name. No description. Nothing.
An Interview with God
Director of Photography
An up-and-coming journalist finds his world and faith increasingly challenged when he's granted the interview of a lifetime – with someone who claims to be God.
Hot Air
Director of Photography
A right-wing talk show host's life takes a sudden turn when his 16-year-old niece comes crashing into his life.
Sidewalks of New York
Cinematography
The film follows the marital and dating lives of three men and three women who unknowingly form a tangled web of relationships. Interspersing "man on the street" interviews with scenes from the six characters' lives, the film weaves a humorous and biting commentary on the game of love -- easy to start, hard to finish.
Chinese Coffee
Director of Photography
When Harry Levine, an aging, unsuccessful Greenwich Village writer is fired from his job as restaurant doorman, he calls on friend and mentor Jake, ostensibly to collect a long-standing debt.
The David Cassidy Story
Director of Photography
Biography of the Pop Star....
The Best Man
Director of Photography
After writing a soon-to-be bestselling novel, writer and committed bachelor Harper attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance's wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan, Harper attempts to keep it under wraps.
200 Cigarettes
Director of Photography
It's New York City in 1981, and various twentysomethings are converging on a New Year's Eve party.
No Looking Back
Cinematography
Charlie returns to his old town where he meets his ex-girlfriend again and tries to get her back.
The Real Blonde
Director of Photography
An aspiring actor and his girlfriend handle life's frustrations, while his friend seeks fulfillment with a blonde.
FireHouse
Director of Photography
A film about the dealings of a crew at a firehouse. The group is attacked by an assassin and eventually must accept that the firehouse is to be consolidated with a rescue unit.
She's the One
Director of Photography
Mickey, a free-spirited New York cabbie, and Francis, a materialistic Wall Street stockbroker, are extremely competitive and confused about women as a result of their father's influence. Though they disagree about everything, they have one thing in common: Mickey's ex-fiance Heather is Francis's secret love. Though both brothers have beautiful wives, Heather triggers their longtime sibling rivalry
The Grave
Director of Photography
Two prisoners escape with the help of their jailer to search for a treasure that is supposedly buried with a dead millionaire.
Living in Oblivion
Director of Photography
Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.
Sex & the Other Man
Cinematography
When Bill catches his girlfriend and her boss in bed, an unusual cure for impotence is found.
Jungle Fever
Additional Camera
A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.
Pledge Night
Director of Photography
In order to become a member of a fraternity, the applicants have to go through initiation rituals to show their loyalty. Way back in the 1960s, someone played a nasty trick on the student Sidney Scheider: He had to take a bath in a tub filled with cornflakes and coffee grounds, vinegar and even more disgusting substances. Nothing unusual so far but someone had replaced the water with pure acid. Sidney was seriously wounded and died a horrible death. This year Acid Sid returns with a vengeance, killing everyone who comes his way. One by one is slaughtered and in the college hell breaks loose.
ナイト・オブ・ザ・リビングデッド 死霊創世記
Director of Photography
In this remake of the classic 1968 film, a group of people are trapped inside a farmhouse as legions of the walking dead try to get inside and use them for food.
Resident Alien
Director of Photography
At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.
The Prince of Pennsylvania
Director of Photography
Set in a remote Pennsylvania coal-mining town, this off-beat comedy follows the relationship between Carla, a hippie woman, and Rupert, a young punk rocker who feels like a pariah. Hoping to leave their current lives behind, the two conspire to kidnap Rupert's father and hold him for ransom.
Sleepwalk
Director of Photography
A woman is hired to transcribe an ancient Chinese manuscript. She finds that little by little, the manuscript has powers that begin to take over her life.
Seven Women, Seven Sins
Director of Photography
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
White and Lazy
Director of Photography
Short movie.