Larry Clemmons
出生 : 1906-11-25, Chicago, Illinois, USA
死亡 : 1988-07-22
略歴
Clemmons graduated with a degree in architecture from University of Michigan but couldn't find work due to the effects of the Great Depression. So, desperate for work in any area he could find it, he accepted a job offer from Walt Disney in 1930 to work at his Hyperion Studios. After several years at Hyperion, he became an assistant animator for the Mickey Mouse film series. When World War II happened, Larry left the studio and decamped to the Midwest, where he wrote technical manuals for wartime manufacturing plants. Clemmons then freelanced in radio, and at the end of the war, landed a job on Bing Crosby’s prime-time network radio shows, where he spent nine years writing weekly scripts for Crosby and assorted guest stars. When the radio gig ended, he returned to Walt Disney Productions as a writer and segment producer on The Mickey Mouse Club. After finishing this assignment, he wrote Disney’s spoken intros for the television show entitled Walt Disney’s Wonderful World of Color. Clemmons retired in 1978. -Wikipedia
Writer
Among the many animation treasures celebrated here are the never-before-released 'Hell's Bells' and the original unedited 'Mother Goose Goes Hollywood', plus the Academy Award winning 'Three Orphan Kittens' (Best Cartoon, 1935). Enriching the collection even further are several options commentaries by some of the world's foremost animation and film music experts, who also take part in a lively conversation about the series that let Walt Disney push the envelope of animation art to unimaginable flights of fantasy.
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Two classic animated shorts from the Disney studios. In 'The Reluctant Dragon' (1941), a young boy and a famous dragon fighter team up to teach a docile dragon the art of being a force to be reckoned with. In 'Mickey and the Beanstalk' (1947), Mickey Mouse, Goofy and Donald Duck confront the fearsome Willie the Giant to try to retrieve the magical singing harp to Happy Valley.
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Story
母親を猟師に殺され、ふくろうのビッグママの計らいによって心優しいトゥード未亡人の家で育てられることになった子ぎつねトッド。ある日、トッドは、近くに住む猟師の家で猟犬の子コッパーに出会い、すぐに仲良しになる。だが、成長したトッドは野生に返されることになり、一方のコッパーも一人前の猟犬として訓練を受けることになった。やがて2匹は森の中で再会を果たすが、もはや彼らは敵同士となっていた。
Gramps (voice)
スタジオ創設50周年の集大成として製作されたディズニー長編。ビアンカとバーナードという、ミッキーとミニーに続くねずみのカップルも誕生する。主題歌を始め、劇中を流れる音楽も魅力的。
Author
スタジオ創設50周年の集大成として製作されたディズニー長編。ビアンカとバーナードという、ミッキーとミニーに続くねずみのカップルも誕生する。主題歌を始め、劇中を流れる音楽も魅力的。
Story
クリストファー・ロビンの部屋に置かれた1冊の絵本。表紙をめくれば、ほら、プーさんと楽しい仲間たちがお出迎え。ページからページへ、お話からお話へ、ディズニーの魔法で絵本の主人公たちが動きだし、純真な少年の心にある100エーカーの森の世界が広がります。食いしん坊のプーさんが大好物のはちみつを食べすぎて事件になる「プーさんとはちみつ」、森に大嵐がやってきてみんなで助けあう「プーさんと大あらし」、元気者のティガーが巻き起こす騒動を描いた「プーさんとティガー」。3つのお話で綴ったほのぼのと心なごむ、かわいい冒険と永遠の友情の物語。プーさんの世界のすべてがここにあるのです。
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Rabbit is tired of Tigger always bouncing him, so he gets Pooh and Piglet together to come up with an idea to get the bounce out of Tigger. Then, Tigger and little Roo go out for a bounce and get caught in a tree.
Story
With King Richard off to the Crusades, Prince John and his slithering minion, Sir Hiss, set about taxing Nottingham's citizens with support from the corrupt sheriff - and staunch opposition by the wily Robin Hood and his band of merry men.
Screenplay
古き良き時代のフランス、パリ。ダッチェスという名前の美しい雌ネコが、3匹の子ネコたちと暮らしていました。 飼い主の老婦人は猫たちをとてもかわいがり、莫大な遺産をネコに譲ろうとします。 ところが執事が遺産欲しさにネコたちを郊外に置き去りにしてしまいます。 途方に暮れるダッチェスたちの前に現れた野良ネコのオマリーに助けられ、みんなはパリを目指します。
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Winnie the Pooh and his friends experience high winds, heavy rains, and a flood in Hundred Acre Wood.
Story
友情のすばらしさと冒険と、ステキな歌が詰まったウォルト・ディズニーの遺作。モーグリはジャングルを出て人間の村に戻るために、賢いヒョウのバギーラと一緒にスリルに満ちた冒険の旅に出ることに。旅の途中で、陽気なキング・ルーイや催眠術が得意な蛇のカー、そしてのんきなクマのバルーと出会う。バルーはモーグリに、人生において“本当に必要なもの”と友情について教える。
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Walt takes viewers on yet another tour of Disneyland to point out some of the newest additions to the park, including New Orleans Square, It's a Small World, and Great Moments With Mr. Lincoln.
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Christopher Robin's bear attempts to raid a beehive in a tall tree.
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The 10,000th performance of Disneyland's venerable "Golden Horseshoe Revue," featuring special guest stars.
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Taking a look at Disneyland following nightfall, including nighttime entertainment and appearances by many celebrities of the day.
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Party, enterianment, and Behind the scenes
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Walt Disney and Art Linkletter co-host a live celebration of Disneyland's 1959 expansion that consisted of the debuts of Matterhorn Bobsleds, the Disneyland-Alweg Monorail, and the Submarine Voyage, a project so massive that it was called "The Second Opening of Disneyland". Highlights include a mammoth, star-studded parade and the official launching of the Disneyland submarines by U.S. Navy officers. Among the guests are then-Vice-President Richard Nixon and family, Clint Eastwood, and Meredith Willson, who leads the Disneyland band in his own "76 Trombones." Sponsored by Kodak, the commercial spokespersons include Ozzie and Harriet Nelson.
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A tour of the Disneyland theme park.
Writer
Prof. Lightskull and Doc Twiddle are trying to locate the whereabouts of a magician
Screenplay
Humorist Robert Benchley attempts to find Walt Disney to ask him to adapt a short story about a gentle dragon who would rather recite poetry than be ferocious. Along the way, he is given a tour of Walt Disney Studios, and learns about the animation process.
Story
Donald takes a kayak trip. When he gets to his campsite, he unloads the kayak, fights with his folding chair, and goes to sleep. Meanwhile, the chipmunks of the forest (precursors of Chip 'n Dale), attracted by his squawking, make off with the huge pile of food he carelessly unloaded. They get the attention of a bear, who Donald is soon battling.
Animation
Donald visits the house of his new love interest for their first known date. At first Daisy acts shy and has her back turned to her visitor. But Donald soon notices her tailfeathers taking the form of a hand and signaling for him to come closer. But their time alone is soon interrupted by Huey, Dewey and Louie who have followed their uncle and clearly compete with him for the attention of Daisy. Uncle and nephews take turns dancing the jitterbug with her while trying to get rid of each other. In their final effort the three younger Ducks feed their uncle maize in the process of becoming popcorn. The process is completed within Donald himself who continues to move wildly around the house while maintaining the appearance of dancing. The short ends with an impressed Daisy showering her new lover with kisses
Animation
Donald and Goofy are putting up advertising posters in a farm. Goofy prepares to post on a windmill, but his tools keep disappearing and reappearing on the windmill blades. Donald puts up his posters, a picture of a soup can, and a goat eats them immediately. Goofy gets stuck to his poster after it comes around on the windmill. Donald, being his calm, even-tempered self, gets into a battle with the goat.
Animation
Mickey is performing routine maintenance on his tugboat (with interference from a pelican) when a call comes on the radio that there's a sinking ship needing assistance. Sadly, Mickey's crew consists of Donald and Goofy, so getting underway to help is not easy. Goofy has to fight a boiler's door to get it stoked with coal (and when he succeeds, he overfills it) and Donald gets tangled up in the machinery. Not to mention that nobody casts off, so they drag half the dock along with them. The overworked boiler soon explodes.
Animation
While trying to collect autographs at a Hollywood studio, Donald meets a number of movie stars, and runs afoul of a security guard.
Animation
Donald is an admiral on a seagoing voyage with his nephews in which they encounter a ravenous shark.
Animation
Donald shows his nephews the moves that won him his hockey trophy. But the boys have a few moves of their own.
Animation
After his two brothers are captured, the third little pig invents a machine to capture the big bad wolf.
Screenplay
The Tortoise and the Hare is an animated short film released on January 5, 1935 by United Artists, produced by Walt Disney and directed by Wilfred Jackson. Based on an Aesop's fable of the same name, The Tortoise and the Hare won the 1934 Academy Award for Best Short Subject: Cartoons. This cartoon is also believed to be one of the influences for Bugs Bunny.
