Michael Wadleigh

Michael Wadleigh

出生 : 1939-09-24, Akron, Ohio, USA

略歴

From Wikipedia, the free encyclopedia. Michael Wadleigh (born September 24, 1942) is an American movie director and cinematographer renowned for his groundbreaking documentary of the 1969 Woodstock Festival, Woodstock. A native of Akron, Ohio, Wadleigh entered films in his early twenties as a cinematographer on independently-produced low-budget films David Holtzman's Diary and I Call First (both 1967), and My Girlfriend's Wedding (1969). Billed as Michael Wadley, he gained notice for his work from critics who followed independent and underground films, but the films, primarily aimed at a specialized and counterculture audience, brought him no financial success. In April-May 1969, Wadleigh undertook the monumental task of documenting the rock music festival scheduled in the vicinity of Woodstock, New York on August 15-18. He arrived on the site in Bethel with over a thousand reels of film and a crew of several camera operators. The finished product was said to have consisted of about 120 miles of footage which, over the next months, was edited down to 184 minutes. Warner Brothers, the film's primary financial backer, released it on March 26, 1970. The film, which reportedly cost $600,000 to produce, earned over $50 million in the United States and more millions from foreign rentals, but due to a complicated arrangement with Warner Brothers, Wadleigh received only a small percentage of the profits. Woodstock stands as a milestone in the documentary film field, receiving an Academy Award for Documentary Feature at the 1971 ceremony. Janis, a 1974 documentary about Janis Joplin, gave Wadleigh credit as cinematographer for his archive footage, but it would be eleven years after the release of Woodstock before he received his next and, last to date, directorial credit. Wolfen, a unique 1981 horror phantasmagoria based on the novel by Whitley Strieber, was praised for its dreamlike nature and striking visual quality, but despite a top-notch star turn from Albert Finney, turned out to have been too offbeat for the general public to achieve financial success. Wadleigh also wrote the Wolfen screenplay and has a bit part as "Terrorist Informer." In August 1994, twenty-four years after its original showing, a 228-minute "director's cut" of Woodstock was released, and in 1999, another Woodstock-based documentary, Jimi Hendrix: Live at Woodstock gave Wadleigh another archive footage credit for cinematography. Description above from the Wikipedia article Michael Wadleigh, licensed under CC-BY-SA, full list of contributors on Wikipedia.

プロフィール写真

Michael Wadleigh

参加作品

Woodstock: The Lost Performances
Director
A compilation of some of the performances that didn't make it into the original Woodstock documentary.
Wolfen
Screenstory
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
Wolfen
Producer
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
Wolfen
Terrorist Informer
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
Wolfen
Screenplay
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
Wolfen
Director
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
ウッドストック/愛と平和と音楽の3日間
Editor
人類が初めて月を歩いた。ニューヨーク・メッツがワールドシリーズで奇跡の優勝を果たした。そしてニューヨーク郊外のベセルでは、3日間にわたり50万人もの若者が、彼らの世代を何よりも象徴するイベントに参加した――それは規模においても影響力においても前代未聞のコンサート、平和と音楽という旗印の下にあらゆる階層の人々が集い、一つとなった瞬間だった。彼らはそれをウッドストックと呼んだ。それから1年後、その音楽のエッセンスやしびれるようなパフォーマンス、それらを生で味わった人々の感動が、オスカーを獲得した記念碑的ドキュメンタリーの中で甦る。
ウッドストック/愛と平和と音楽の3日間
Camera Operator
人類が初めて月を歩いた。ニューヨーク・メッツがワールドシリーズで奇跡の優勝を果たした。そしてニューヨーク郊外のベセルでは、3日間にわたり50万人もの若者が、彼らの世代を何よりも象徴するイベントに参加した――それは規模においても影響力においても前代未聞のコンサート、平和と音楽という旗印の下にあらゆる階層の人々が集い、一つとなった瞬間だった。彼らはそれをウッドストックと呼んだ。それから1年後、その音楽のエッセンスやしびれるようなパフォーマンス、それらを生で味わった人々の感動が、オスカーを獲得した記念碑的ドキュメンタリーの中で甦る。
ウッドストック/愛と平和と音楽の3日間
Screenplay
人類が初めて月を歩いた。ニューヨーク・メッツがワールドシリーズで奇跡の優勝を果たした。そしてニューヨーク郊外のベセルでは、3日間にわたり50万人もの若者が、彼らの世代を何よりも象徴するイベントに参加した――それは規模においても影響力においても前代未聞のコンサート、平和と音楽という旗印の下にあらゆる階層の人々が集い、一つとなった瞬間だった。彼らはそれをウッドストックと呼んだ。それから1年後、その音楽のエッセンスやしびれるようなパフォーマンス、それらを生で味わった人々の感動が、オスカーを獲得した記念碑的ドキュメンタリーの中で甦る。
ウッドストック/愛と平和と音楽の3日間
Director
人類が初めて月を歩いた。ニューヨーク・メッツがワールドシリーズで奇跡の優勝を果たした。そしてニューヨーク郊外のベセルでは、3日間にわたり50万人もの若者が、彼らの世代を何よりも象徴するイベントに参加した――それは規模においても影響力においても前代未聞のコンサート、平和と音楽という旗印の下にあらゆる階層の人々が集い、一つとなった瞬間だった。彼らはそれをウッドストックと呼んだ。それから1年後、その音楽のエッセンスやしびれるようなパフォーマンス、それらを生で味わった人々の感動が、オスカーを獲得した記念碑的ドキュメンタリーの中で甦る。
Who's That Knocking at My Door
Cinematography
A Catholic New Yorker falls in love with a girl and wants to marry her, but he struggles to accept her past and what it means for their future.
David Holzman's Diary
Director of Photography
A young filmmaker decides to make a movie about his day-to-day activities in an attempt to understand himself and get his life back in order. A precursor to reality television and vlogs.
Uncovering Wolfen
Self
After the huge financial and cultural success of WOODSTOCK (1970), filmmaker and political activist Michael Wadleigh spent many years in Hollywood writing scripts that were never produced. However, WOLFEN (1981), his only other major motion picture, was. After that he would never complete another feature film again. This is the story of that film.