Jean-François Lapalus

In this 2003 remake of the classic 1952 French film, Fanfan la Tulipe is a swashbuckling lover who is tricked into joining the army of King Louis XV by Adeline La Franchise, who tells Fanfan that by doing so, he will eventually marry one of the king's daughters

A worker in a bottle factory, Pierre decides to switch from day shift to night shift. In his new team, he runs into Fred, a charismatic and violent guy. Fred says loudly that Pierre is his boyfriend. In fact, he never misses an opportunity to bully or humiliate him. This could only be a bad joke. But the harassment continues in a downward spiral ...

When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.

Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.

Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.

At her son's funeral, Solange, a lawyer famous for losing hopeless cases, agrees to defend René, her son's age, accused of murdering his wealthy aunt, Jeanne, who's part of the Franco-Belgian Psychoanalytic Society, known for odd views and methods. She reads Jeanne's journal, documenting René's criminal tendencies. Solange believes him innocent, manipulated into the murder or framed. Odd psychiatrists turn up, including Georges Didier, who runs FBPS, and his rival, Christian, who believes crime originates in a story's taking hold of a person. After the verdict, René and Solange's relationship changes, Georges and his society commit a bizarre act, and the police record Solange's story.

前編「ジャンヌ／愛と自由の天使」に続く後編。ジャンヌ・ダルクの活躍により王座に就いたシャルル。彼女は尚も祖国のため戦いを続けるが、やがて貴族たちの不満を買い、教会による不当な裁判によって火あぶりの刑に処せられ、その波乱に満ちた壮絶な生涯を閉じる。製作費に４６０万ドルをかけ、壮大なスケールで歴史的事実を史実に忠実に描いた本作は、アカデミー特別賞、撮影賞、衣装デザイン賞を受賞した。

Collaborative experimental project on which three director made different films about the Swedish icebreaker "Frej".

H., 35, an Arabian immigrant, works as projectionist in an old cinema. One day, drawn by the music, he looks through the window of the booth and is fascinated: the dancer he sees on the screen seems to be looking straight into his eyes. He falls in love with her, but the vision last only a moment. Shortly afterwards, an elderly man storms into the projection booth and claims he is his uncle.
 H. wants to prepare a meal for him and reaches for the oil bottle: he sees the same dancer on the label…. H begins to find echoes of his own life in the images he projects. Everything changes when fiction and reality merge...

Third and final part of collaborative project Brise Glace. Directed by Raúl Ruíz.

A baroque mix of revolutionary politics, pop culture and semiotics loosely based on the play by Pedro Calderón de la Barca. A young prince learns that life is just a dream from which we wake when we die. And that dreams may be as real as life.