Liliane Maigné

In a small provincial town, the boarding-house is run by Mathilde Belin, the overindulging and over-demanding mother of Paul. When she is told by her envious sister Charlotte that her son is having a secret affair with Catherine, a salesgirl, she becomes furious and starts doing everything in her power to separate the lovebirds.

In a girls boarding-school run by Madame Piégeois,young Gisèle meets, at night, the count of Champrès 's son.

Two scriptwriters argue about the fate of Henrietta, a charming and gamine shopgirl. One favors a comical path for their heroine, who is overcome with sentimental love for a young photographer on Bastille Day. The other has a more thrilling and dastardly fate in mind for her. Among the film's irresistible conceits is Hildegarde Neff as an oversexed circus bareback rider.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Four young girls fall in love with the same man.

The struggle of a female doctor against superstition and healers.

Au Royaume des Cieux takes place in in a dreadful girls' reformatory. A couple of lovers will try to escape from this living hell.

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

Cecile, a young girl who goes to the offices of the Judicial Police several times in a row to complain about nightly visits to the apartment she occupies with her aunt, is not taken seriously by the police until she the day she is found murdered.

アンリ・ジョルジュ・クルーゾーがドイツ占領下で作った一作。占領軍の指令で作られたこの映画は、フランスの地方都市の腐敗を描くという初目的がゲシュタポ批判に変ってしまっているとの理由で上映を禁止された。

Father Vincent is trying to build a church in the California neighborhood. Greeted by stones, he must face a sinister band of deviants excited by a shady cabaret performer. The abbot resists, gradually builds his church and regenerates all the wretches with whom he lives and especially the hardest, Bibi.