Ursula Andermatt

When the pictures from Bergamo in Italy go around the world in spring 2020, even non-medical people know what the word pandemic means. The previously unknown Coronavirus is spreading rapidly across the planet. Four days later, exit and contact restrictions also apply in Germany. Since then, the life of the Konstanz intensive care physician Dr. Carolin Mellau and her family on their heads. The female doctor becomes a member of the crisis team and is on duty around the clock to prepare the clinic for the impending emergency. As an anesthesiologist intubating those infected with COVID-19, she herself carries a high risk of infection. Meanwhile, her husband Stefan has to cancel his concerts as a musician, is no longer allowed to teach his music students and is suddenly sitting at home without an income. Teenage daughter Luzy is not allowed to see her Swiss boyfriend because the border is closed. She and brother Tim cannot go to school. But the worst case for the family is yet to come.

A woman goes through a weekend full of ups and downs after a shocking diagnose, according to which she has less than a year left to live.

Director Annekatrin Hendel delivers a portrait of three generations of Brasches as a microcosm of societal tensions being carried out on a large scale — between East and West, art and politics, communism and religion, love and betrayal, utopia and self-destruction.

A story about a notorious liar and case worker.

"Artists" tells the fateful stories of eight young people behind bars who hope for nothing more than freedom and the simple desire to be normal again.

Leni, in her mid-fifties, runs the local bakery with her son in a small Swiss town. When she falls in love with a much younger Argentinean dance teacher, her world is turned upside down.

When Julia, a frustrated literature professor, gets the opportunity to teach in Paris for one year, the dream of her life comes true. Living in a small, but charming hotel room, she is annoyed by her young neighbors because of their unmistakable sex life. However, she soon gets to know them personally...

A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.

An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.