Director
A black comedy which follows Ronen Matalon's journey to overcome his anxiety of terror attacks. Ronen uses writing and guiding a tour of terror-attack sites along Jerusalem's Jaffa Street to try and break free from his trauma.
Director
The first ever Israeli documentary film to feature an Arab protagonist is revisited 50 years later by top graduates of the Sam Spiegel Film School.
Director
Since the day Idan was born, his mother Iris promised him that by the time he celebrated age 13, he would meet his African father, Toni Toklomati, for the very first time.
Screenplay
Since the day Idan was born, his mother Iris promised him that by the time he celebrated age 13, he would meet his African father, Toni Toklomati, for the very first time.
Director
Dana and Amit met when they were 25, they married and had 2 children. Soon after their second child, Amit turned ultra-orthodox. Dana stayed secular. They are still very much in love. Will their love be able to overcome the growing gaps between them?
Director
Director
Melanoma My Love, smartly and constantly shifting somewhere between documentary and fiction, is a breath-taking drama. The film is based on the true story of the Israeli actor Yigal Adika and his wife Orit, who suffered and died of cancer. Yigal, a personal friend of the directors, plays himself in the film as Uzi and by doing so re-enacts this special period in his life. His wife is a ballet dancer and teacher. She is thirty and has been diagnosed with melanoma. With the help of her husband and doctors, she is able to believe in a favourable outcome and fights her illness to the end. The film closely follows this fight by concentrating on the two loving people, their tender relationship and the effect the situation has on the whole family.
Writer
A family of Iraqi-Israelis, each with his or her own weaknesses and determination, gathers for an Independence Day picnic. Their background stories are presented, reaching back as little as a few days or as far back as the War of Independence and the old country before that, and interlocking in ways that even they never realize.
Director
A family of Iraqi-Israelis, each with his or her own weaknesses and determination, gathers for an Independence Day picnic. Their background stories are presented, reaching back as little as a few days or as far back as the War of Independence and the old country before that, and interlocking in ways that even they never realize.
Director
In June 2002, a bus on its way from Tel Aviv to Tiberius, was bombed and 17 people were killed. Of the dead, 16 were identified. Number 17 wasn't. The filmmakers document the search to identify the man no one identified as missing.
Director
Meir Eshel, a 22-year-old beach-boy from Southern Israel, buys a one-way ticket to Paris and re-invents himself as an artist calling himself Absalon. He quickly rises to art-scene stardom, showcased by the most prestigious museums worldwide: the Venice Bienalle, Centre Pompidou Paris, Tate Modern Gallery London, Israel Museum. Absalon’s success was short-lived – almost 7 years pass since his arrival in Paris until his tragic death, during the peak of his success at the age of 28. More than 25 years later, his younger brother Dani Eshel’s first assignment as estate manager – is to sell Absalon’s final art piece. Through his journey we learn about the life of a unique Israeli artist.
Director
I Am Ahmad, a 1966 13 min. revelatory short, was originally censored before its stormy release. Fifty years later, top Arab and Jewish alumni of the Jerusalem Sam Spiegel Film School conduct a poignant dialogue about “today’s Ahmad”, contending with questions of the impossible coexistence between Palestinian citizens of Israel and Jews that is rapidly deteriorating. Comprised of six chapters, the feature film is political, activist and fistful, mirroring a torn Israel. Yet, Voice of Ahmad is at times also funny, poetic and sarcastically utopian.
Writer
David Ofek looks back on the first Gulf War, when he was living with his parents in Ramat Gan, Israel. They are Iraqi Jews. His parents are fascinated with news reports of the bombing of Baghdad. His grandmother comes to stay with them during the SCUD attacks. Wearing gas masks, they sit in a secure room David has rigged. When the all-clear sounds, they look at photo albums. They're visited by David's girlfriend, Eve. They talk politics; grandma disapproves of Eve. Eve leaves for Eilat for respite. David images a life with Eve after the war ends
Director
David Ofek looks back on the first Gulf War, when he was living with his parents in Ramat Gan, Israel. They are Iraqi Jews. His parents are fascinated with news reports of the bombing of Baghdad. His grandmother comes to stay with them during the SCUD attacks. Wearing gas masks, they sit in a secure room David has rigged. When the all-clear sounds, they look at photo albums. They're visited by David's girlfriend, Eve. They talk politics; grandma disapproves of Eve. Eve leaves for Eilat for respite. David images a life with Eve after the war ends
David Ofek looks back on the first Gulf War, when he was living with his parents in Ramat Gan, Israel. They are Iraqi Jews. His parents are fascinated with news reports of the bombing of Baghdad. His grandmother comes to stay with them during the SCUD attacks. Wearing gas masks, they sit in a secure room David has rigged. When the all-clear sounds, they look at photo albums. They're visited by David's girlfriend, Eve. They talk politics; grandma disapproves of Eve. Eve leaves for Eilat for respite. David images a life with Eve after the war ends
