José Pinheiro

Convinced that Santa Claus exists, one little boy asks him for the greatest Christmas gift of all: a father.

In Africa in the fifties, during the Mau-Mau war, young Patricia's friendship with a lion she raised for years.

Marivaudages of a privileged group embarked on the "Narcissus" for a musical cruise in company of the famous diva La Doria.

This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their misdeeds. Police inspector Grindel (Delon) understands the feelings which motivate these deeds, but does not approve. However, he is not highly motivated to put an end to the group's activities until it begins to appear that they are now attacking fellow cops for reasons which are unclear.

An intensive, eager adore tie together two very separate individuals. Catherine, a young celebrity, is very severe about her aspiring career. But she is overloaded by Patrick's aggressive sexuality. This idol of the slums gambles his lifetime not even close to the theater community of Catherine. They each maintain going furthering their love, not able to manage the circumstance.

An intensive, eager adore tie together two very separate individuals. Catherine, a young celebrity, is very severe about her aspiring career. But she is overloaded by Patrick's aggressive sexuality. This idol of the slums gambles his lifetime not even close to the theater community of Catherine. They each maintain going furthering their love, not able to manage the circumstance.

Cop's Honor (Parole de Flic) is a 1985 French crime movie directed by José Pinheiro and starring Alain Delon as retired police officer Daniel Pratt. His teenager daughter was killed by a gang of mysterious hooded killers so Pratt began his own investigation to avenge the killers and their backroom leader.

Cop's Honor (Parole de Flic) is a 1985 French crime movie directed by José Pinheiro and starring Alain Delon as retired police officer Daniel Pratt. His teenager daughter was killed by a gang of mysterious hooded killers so Pratt began his own investigation to avenge the killers and their backroom leader.

Based on an autobiographical novel by Marie Cardinal, this well-acted psychological drama details the tormented relationship between Marie (Nicole Garcia) and her mother, stemming from Marie's childhood on their estate in Algeria. The mother, Eliane (Marie-Christine Barrault) had lost a child before Marie was born, and was consumed with hatred for her husband who was carrying tuberculosis and may have been the cause of the child's death. That hatred was never resolved, and Marie grew up in a bitter and strained household. As both women grow older, Marie marries and raises a family while her mother sinks ever deeper into anger, frustration, poverty, and isolated despair. She vents her destructive emotions on her daughter and is completely resistent to her daughter's attempts to help her, to make her life better.

A young, loving couple and their two children travel around the French countryside with an old-fashioned carousel in tow, setting it up in small towns and fairgrounds to earn a living. They are happy, supportive, and free-spirited, yet as time goes by, life on the road becomes more difficult -- it can be boring, and the family is sometimes eyed with distrust by the more conservative provincials and by the police. As the family begins to feel the effects of these aloof attitudes, their solidity is invaded by cracks and chinks until they are well on their way to losing their once-happy union. At that point, one of the children has a bad accident, causing the family members intense anxiety, and as a result, the perspective on their differences starts to change.

A young, loving couple and their two children travel around the French countryside with an old-fashioned carousel in tow, setting it up in small towns and fairgrounds to earn a living. They are happy, supportive, and free-spirited, yet as time goes by, life on the road becomes more difficult -- it can be boring, and the family is sometimes eyed with distrust by the more conservative provincials and by the police. As the family begins to feel the effects of these aloof attitudes, their solidity is invaded by cracks and chinks until they are well on their way to losing their once-happy union. At that point, one of the children has a bad accident, causing the family members intense anxiety, and as a result, the perspective on their differences starts to change.

This documentary draws a sensitive, unsensational portrait of the desert and the people who inhabit it, the Toubous.